A Quote by Anthony Hopkins
I don't push my luck. I don't worry about the results and therefore everything seems to work out well. That's something I've learnt over the years. The whole thing about the acting business is that it's a hit-or-miss game so I keep my distance from it.
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Don’t worry about things. Don’t push. Just do your work and you’ll survive. The important thing is to have a ball, to be joyful, to be loving and to be explosive. Out of that comes everything and you grow.
That is the godawful thing about television today. Performers don't have any place to hit and miss. You're either in or you're out; you don't have a chance to become good at your craft. If you make three pictures in a row and they don't go over, you're out of the business.
The key thing for a CEO to keep their head in the game is recognize that there's turbulent times, plan for, you know, bad luck as well as good luck, keep people focused on what the key, you know, business wins are, and you know, provide the energy that people always need in order to, you know, to go into battle because, you know, work is hard and go into work and do that well. And provide a good leadership beacon for that. In other words, it's the same thing that makes good leadership in any other time.
If there is something to worry about, my mind has a tendency to worry about it. That can cut two ways. It can really keep you on the ball, but if you worry about every little thing, it's not a good use of time and energy.
The great thing about acting is you don't have to worry about yourself at all. I tend to just get out of the way of me and let something come through.
I learnt a whole lot from my mother. About music, relationships, being a good person, loving people, the whole of life. I learnt about everything from her. Every single day I think about her. All through the day.
The point is, once they have a missile that can hit the United States, we are now back in the kind of game we used to worry about with the Soviet Union, only the Soviet Union was more mature about this whole thing than I think the North Koreans will be.
Hitting in a game is no different than hitting in a home run contest. It pisses me off to say Barry Bonds is the greatest hitter. He's playing in a wussy era. The game is soft. You never get thrown at today. Last thing a hitter has to worry about today is getting hit. The first thing Hank Aaron had to worry about is: Am I going to survive this at-bat because I'm black.
Banquets are always pleasant things, consisting mostly, as they do, of eating and drinking; but the specially nice thing about a banquet is, that it comes when something's over, and there's nothing more to worry about, and to-morrow seems a long way off.
Work on your game. Block everything else out. Don't worry about your brand. Work on your game. So you can come into the league ready and prepared.
I don't like to intellectualize about my acting. I don't sit around and study the pages of a script over and over again. I don't worry whether the period is contemporary or three hundred years ago. Human beings are all alike. The main thing in acting is honesty, to feel the humanity and get to the essence of the character. You can't put anything into a character that you haven't got within you.
I went to business school so what they teach you in business school was that success is about positioning yourself to get lucky. It's not just about how hard you work. It is also about a little bit of luck. To position yourself to catch the luck when it comes.
What's beautiful about the actual acting class environment is that you can use it to push through everything: push your voice, push your inhibitions, push your fears, push your confidence, push your vulnerability, push your silences.
Those three years on 'Loving' were instrumental in helping me move through the next few years of work, where it was hit or miss. I was on series that would get canceled, then I would be a movie that wouldn't come out or do as well as I hoped. You learn that you have to just keep plugging away and never take anything for granted.
When you're younger, you have three or four bad results and you worry about everything. You worry about injuries, because they always seem to be your best players.
For me, the real goal is to integrate. The thing that I'm most happy with is the fact that I've been able to keep doing all of it - to keep writing, and to keep acting in movies, and to keep acting on the stage, to keep directing plays. I find that they feed each other, and that I learn about acting from directing and I learn about writing from acting.
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