A Quote by Anthony Hopkins
There's no truth in acting, it's all a trick, because you go on stage in front of sets, you're on film - it's all a trick. I'm making it sound very - I really am demystifying it, but what I try to do, what I do, and I hope effectively, is to create a reality as if it is happening now, that you're fishing for words out of the air.
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Film acting is really the trick of doing moments. You rarely do a take that lasts more than 20 seconds. You really earn your spurs acting onstage. I needed to do that for myself. I would hate to say at the end of everything that I never did a stage play.
I just keep working out. You can't stop. Everyone thinks there's a trick, but there's no trick! The trick is, you have to be consistent.
You try to become the character that you're working with. So for me, I try to block out the cameras and try to trick my mind that this is actually happening.
If you do a trick and it doesn't work out, that can stick with you. I like to go back, nail the trick, and, 'OK, I'm cool, it's all good.'
The goal is to really blur the line. Can you perform a magic trick in a way that someone doesn't think it's a magic trick but is something amazing they haven't seen before? Then they have to wrestle with reality.
I kind of talk about songwriting in the sense that it's really not my job to try to state hard truths. I'm not out to say this is what truth is, this is what's false, this is reality, this is not reality. What I prefer is to try to create a space where truth can move.
One of the great tools we use in acting is the idea of immediacy, that the audience gets to see you witness something apparently for the first time, so you create a lot of tools to kind of trick yourself into making it appear something is happening for the first time.
People would say, 'Boy, I really loved you in Ferris Bueller," and it would really aggravate me. I thought I was a one-trick pony, and people had seen the trick. Now that things have worked out and I've gone on to other things, I'm really pleased that people enjoy it.
Somebody said that writers are like otters... Otters, if they do a trick and you give them a fish, the next time they'll do a better trick or a different trick because they'd already done that one. And writers tend to be otters. Most of us get pretty bored doing the same trick. We've done it, so let's do something different.
When you think about it, there's no way to input things into a computer. It's all... the holes only go out, right? Like you can plug a keyboard or a mouse in but that's a trick because the computer thinks the inputs are outputs. That's a programmer trick, basically magic. The key to the future is to make holes that go in too.
You can go to India and you can see gurus go into samadhi. But when they come out of samadhi, they're nasty. They're egocentric. They don't have a deep regard or understanding of what life is. It's just a little trick they can do, a one-trick pony.
I think being able to age gracefully is a very important talent. It is too late for me. The horse is out of the barn... In past generations, people would try to play younger than they really are. My trick is, I don't try to play younger than I really am.
What magical trick makes us intelligent? The trick is that there is no trick. The power of intelligence stems from our vast diversity, not from any single, perfect principle.
Things develop in front of my camera, and then I will try to do the best out of it. I am close, but in most of the scenes, I am trying not to be seen. I think that's the trick. I think it starts in your heart, goes to the head, and the head puts it into the finger.
I'm the most experienced cinematographer in this medium, so there's no point in having that extra conversation in the middle of the loop. You're making the film in relation to what's happening now, and you can't really affect what's happening now. It's not like you're in control of anything in front of the camera. If you're calling yourself the director and you're not the cinematographer, I think you're kidding yourself.
As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.
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