A Quote by Anthony Hopkins
I've always liked American actors particularly. Because that was my first impression. I was very enamoured of America when I was a kid because we were surrounded by American soldiers during the war, the accent was very strange to me, it was very exotic and very captivating.
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My accent has changed my whole life. When I was younger, it was very Nigerian, then when we went to England, it was very British. I think I have a very strange, hybrid accent, and I've worked very hard to get a solid American accent, which is what I use most of the time.
I didn't want to be on screen not nailing an American accent. It's an insult to an American! There are plenty of great American actors who can already do an American accent, so me, coming in and stealing their roles, the one thing I have to perfect is the accent. So for years I practiced. And we're lucky because the whole world is raised on a library of American movies. I would pretend to be Jim Carrey, and, I say Robin Williams now because he's in my mind, but those actors really inspired us to be crazy and be theatrical.
I think I have a very strange, hybrid accent, and I've worked very hard to get a solid American accent, which is what I use most of the time.
The major international appeal for 'House of Cards' was kind of a surprise because it's a very American show. What we learned is that American politics is very American, but greed and corruption and all of that is very global.
The Australian accent just a very lovely accent and it doesn't have the pretention maybe of an English accent, but yet seems a little bit more exotic than an American.
The scariest people to turn a movie over to are always the people who are drawing up the poster, because that's the first impression it's going to make. And very often it's portraying a very different film from the one the actors actually did.
I always used to wonder why American actors were getting fat, then I made a U.S. movie. I'm seeing all the food every day, and there's lots of waiting around because making an American movie is very slow.
It was very hard for me, for most of my life, to feel American, or call myself American, and that is a very complicated topic that would require a very long conversation.
I've grown up surrounded by Americans and to a very large extent feel American. It sounds strange because I seem to be so quintessentially English in everyone's mind - and perhaps I am. Perhaps it's quintessentially English to have a fascination with America.
I'm very blessed, mainly because even though my family is mostly in show business, it's really centered around music. My parents were very successful in many ways, but they weren't necessarily top of the charts. We were never wealthy because of music. We always had to work and we always had to struggle a little bit, and I think at the end of the day that's been very good for me, because I have a sense of it being very ephemeral.
America has had an influence on me, as has going out with a Cuban-American guy and having lots of American friends. But I am still fundamentally British and speak with a British accent and feel very English.
The reason why I always wanted to make an American film was because of the Western genre. It is something that I would very much like to make in the future, because it's very uniquely American, and I can't make a Western film in Korean.
I'm very progressive in a lot of ways, but I'm a very proud American. It sounds so corny to say, but I am and have always been very... I'm just so proud. I don't ever not want to live in America.
The spring of 1942 was given over to a very impassioned, strategic debate about where we should first attack in counterpunching against the Germans and Italians. The British argued very persuasively on the part of Winston Churchill, prime minister, that this was a very green American Army, green soldiers, green commanders.
There are very few films that I've ever seen in my life that would be as silent or vacant as something like Jeremiah Johnson, and that to me was unbelievably captivating. You can see the same about [The Outlaw] Josey Wales: there's very little dialogue, and yet it contains such a deep, rich story. I've always thought of the western as American storytelling at its best.
If I may, to underline first of all that I am very much impressed that in spite of the very tough election campaign, this transition period in the United States of America follows democratic principles and is all about the American people. It's about the destiny of the American people.
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