A Quote by Anthony Hopkins

I have no illusions about my position in this world as an actor or anything like that. I'm very realistic. Reality is a very liberating thing. — © Anthony Hopkins
I have no illusions about my position in this world as an actor or anything like that. I'm very realistic. Reality is a very liberating thing.
It was very hard for me to put my life on paper. It was a very intimate process, very psychological, but at the same time liberating. It was like cleaning the closet, like cleaning the house... It was very refreshing.
I find that things don't bother me as much. If I had a bad day on set, it sort of just rolls of my back in a way that it didn't before. So that's where the biggest difference is, stuff that used to get under my skin or that I would worry about or be anxious about just isn't a problem. So in some ways, having a child has been very liberating. I found it very liberating.
I like 'Brawl in Cell Block 99.' I think Vince Vaughn is incredible and I've never seen Don Johnson like that. It is very realistic. Some people say it is a horror film. It is not a horror film at all. It is very realistic.
I so enjoy being old because for the first time I don't have to do anything-work, teach, study. I feel very good about myself-and at my age I can say no to anything now if I don't want to do it. What a liberating word.
It's a bit like some martial arts: if you're behind somebody there's not much they can do, if you're in a certain position. So same thing with a fish, if you're in the right position you're okay. As soon as you get in the wrong position you can be in very real danger.
Having a persona people recognize, it's the thing that probably gets you paid the most - but it's also the thing that virtually every actor in the world doesn't want. 'Cause, like, no one would believe me if I wanted to play something ultra-realistic, like a gangster or something.
We all live in a very tranquil, sanitised world where you're told to do everything, and when you travel, it's very liberating not to be in that crazy, nannied state.
It's the hardest thing for an actor not to speak because you take away their main tool. So for an actor, it's very frustrating and very challenging, and very few people can pull it off. Some actors can say a thousand words with just a look, and it's a unique gift.
I don't hold on to fear as much as I used to, because I've learned a lot about genuinely not caring what strangers think about me. It's very liberating. It's very empowering, and I've learned a lot of that from Jay-Shawn Carter-Z, because his approach to life is very internal. It's a very good lesson to learn.
People share everything on Facebook. That can be a very good thing or a very noisy thing. With Foursquare, people know that they're getting information specifically about a place, advice about where they are and what they could be doing. It's a very filtered view of the world.
The actors feel very free. The actor, he doesn't need to think about where the camera is, he just has to focus on what he's doing and forget the camera. The camera is never in the perfect position, and I think this is what keeps this feeling of reality. The frame is not perfect.
I've never done any advertising because I feel I am in a position of trust, and that has been very liberating
I think whatever is going on with my brain, I'm very, very - and I'm not saying this as a positive thing, it's just a fact - I'm very creative. I have a very strong imagination, and have since I was a little kid. That is where a lot of my world comes from. It's like I'm off somewhere else. And I can have a problem in life because of that, because I'm always off in some other world thinking about something else. It's constant.
I think it's realistic to have hope. One can be a perverse idealist and say the easiest thing: 'I despair. The world's no good.' That's a perverse idealist. It's practical to hope, because the hope is for us to survive as a human species. That's very realistic.
It's a very, very rare moment when another actor hurts you. That's not normal. If anything, it's the actor accidentally punching the stunt double, which happens quite a bit.
I don't consider myself very brave in any sense. I'm interested in this kind of behavior. My job is to try to make it realistic and emotionally resonant. That's the most challenging thing, to bring emotional resonance to what you do as an actor.
This site uses cookies to ensure you get the best experience. More info...
Got it!