A Quote by Anthony Horowitz

I vividly remember being 14. That was the age when I started to get happy: I started being a writer and stopped being a loser. — © Anthony Horowitz
I vividly remember being 14. That was the age when I started to get happy: I started being a writer and stopped being a loser.
I stopped hating and started just being. My whole life, I had been the most defensive person you'd meet, unable to tolerate any criticism. But now I started listening and being.
I can't remember the exact age, but I do remember being very young when I started to dance and listen to music.
I remember being about 14 when I started wearing shorts and heels. I hated the attention I got. I found it overwhelming.
I started elocution lessons because I was being teased, and I had a brilliant drama teacher. At the age of 14, I appeared at the National Theatre in 'The Crucible.'
When I started out on 'The Biggest Loser,' for me it was kind of embarrassing to be on national TV and go from this wrestling icon, this Olympic gold medalist, to being on 'The Biggest Loser.'
Around 2001, I went to rehab in Arizona, and I started to see what was going on and how the past affected me. I started to get a grip on it. But over the next decade, I reverted to the behaviour I used to protect myself when I was young - being mindless, being defeatist and full of bravado.
I dreamt of being a writer once I started to read. I started to write 'Bonjour Tristesse' in bistros around the Sorbonne. I finished it, I sent it to editors. It was accepted.
I ended up becoming so self-conscious that my songs stopped being about my life and started being about what people thought of my music. And that was really bad.
When I did stand-up at U.C.B., and I had a blog for a couple of years that started my writing career, 'Totally Confident and Completely Insecure,' it was the same kind of self-deprecating humor and stories about being out in L.A. and being treated like a loser at a hair salon because you are not famous.
I really like my life right now. I have friends around me all the time. I’ve started painting more. I’ve been working out a lot. I’ve started to really take pride in being strong. I love the album I made. I love that I moved to New York. So in terms of being happy, I’ve never been closer to that.
Jazz stopped being creative in the early '80s. After your acoustic era, where you had the likes of the Miles Davis Quintet, when it gets to the '70s it started being jazz fusion where you had more electronic stuff happening, then in the '80s they started trying to bring back the acoustic stuff, like Branford Marsalis and the Wynton Marsalis & Eric Clapton sextet. It started dying down from there. Miles was still around in the '80s and he was still being creative; he was playing Michael Jackson songs and changing sounds, but a lot of people were still trying to regurgitate the old stuff.
Anti-depressants helped me get up in the morning and stopped me from being sad, but what they also do is stop you from being happy. So I was just in this numb state. I stopped laughing at jokes, and that's just not me.
Once I started reinventing for myself what being an artist was - not going into a studio, but making things on my own terms in response to being out in the world - I started to really enjoy it... I realized that everything else for me was hell.
With 'Moreau,' it's been particularly confusing because I started out being the writer of the screenplay and then trying to be the director, then being moved from being the director and having to become the dog extra, it makes some kind of sense to suddenly become a character in the story.
For some reason I get this key position of being one of two people that started the company that started the revolution.
After the scarlet fever and the whooping cough, I remember I started to get mad about it all... I went through the stage of asking myself, 'Wilma, what is this existence all about? Is it about being sick all the time? It can't be.' So I started getting angry about things, fighting back in a new way with a vengeance.
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