A Quote by Anthony Jeselnik

I would write 100 jokes a day. Most of them were terrible. But I just said, 'I'll write more than everybody else, and that's how I'll get better.' — © Anthony Jeselnik
I would write 100 jokes a day. Most of them were terrible. But I just said, 'I'll write more than everybody else, and that's how I'll get better.'
If you would like to write better than everybody else, you have to want to write better than everybody else. You must take an obsessive pride in the smallest details of your craft. And you must be willing to defend what you've written against the various middlemen - editors, agents and publishers - whose sights may be different from yours, whose standards not so high.
Sometimes my humor does offend people, and I've said it before: I don't write jokes to be offensive. I write jokes to be funny, and I guess what I find funny are things that other people sometimes find offensive. I would love nothing more than to never offend anyone, but it just doesn't seem to work out that way.
Tweeting is a great way to practice writing jokes, but there is so much more to comedy writing than just jokes. Jokes are a necessity, but you also have to learn how to write characters, to break a story, to keep coherence between episodes. I've learned more by being a TV writer than I ever could've on my own.
I definitely script things out. I definitely write things down and try to write jokes. Often, they're terrible. I often write terrible, terrible jokes.
I write in reverse: Rather than come up with a narrative and write jokes for that narrative, I write jokes independently of the narrative, then I try to fit them in.
I try to write three jokes every day. I don't sit down and write them, it's just things that pop into my head. Then I'll go watch it fail onstage that night.
Kabuki is the way that I so often write; Noh is how I would write if I were more 'spiritual,' more understated, or perhaps just older.
I'd finished the first two [books] and they were going to to be published, and [editor] said, "We need you to write a summary that will drive people to these books." And it took forever. I couldn't think of a thing to say. I looked at the back of other children's books that were full of giddy praise and corny rhetorical questions, you know, "Will she have a better time at summer camp than she thinks?" "How will she escape from the troll's dungeon?" All these terrible, terrible summaries of books, and I just couldn't.
I hope never to retire. I write so many because it's the thing I like to do most - to write. And if you write every day, you just naturally get a lot of books.
Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.
It's very special that I can go through things - and write them down and record them - and so many people can relate. Not everybody can get out who they are and really feel better after they write.
You can write jokes at any point of the day. Jokes are not that hard to write, or they shouldn't be when it is literally your job.
The SEC got more than 100 rules to write under Dodd-Frank, the lion's share of all the agencies. And we've moved, I think, with a tremendous sense of urgency. But it takes a long time to write rules and get them approved by a five-member commission.
Not write what you know, but know what you write. If you write about a world before, after, or other than this one, enter that world completely. Search it to find your deepest longings and most terrible fears. Let imagination carry you as far as it may, as long as you recount the voyage with excitement and wonder. But this is the most important rule: write the book you most long to read.
I would write down the lyrics to 'C.R.E.A.M.' in Korean - not translating it, but phonetically writing out each word. I didn't know what they were saying, so I would just write everything down as I heard it. I would recite it and imitate it like that. That's how I started to write my own raps.
The more I think about our species the more I think we just do stuff and make up explanations later when asked. But it's not true that I would rather write than read. I would rather read than write. To be honest I would rather hang upside down in a bucket than write.
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