A Quote by Anthony Jeselnik

I'm not the voice of reason; I'm more the guy using these offensive topics as fodder to raise tension in a joke. — © Anthony Jeselnik
I'm not the voice of reason; I'm more the guy using these offensive topics as fodder to raise tension in a joke.
Im not the voice of reason; Im more the guy using these offensive topics as fodder to raise tension in a joke.
A good joke provides tension, and then, release of that tension. You build the tension by saying things that are controversial. The release is the laugh. The bigger the surprise or insight in your joke, the bigger the laugh.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
The lyrics are usually the last take. So after like five times, saying it over and over again, your voice starts to relax and you get into the groove of the record. Personally I don't raise my voice; my voice is usually lower, more casual.
We cannot have peace on Earth until we learn to speak with one voice. That voice must be the voice of reason, the voice of compassion, the voice of love. It is the voice of divinity within us.
The wrong kind of guy to fall in love with is the guy who will let go of the steering wheel as a joke. A guy who finds it amusing to make you uncomfortable, which is more common than you'd think, is someone you want to avoid.
It's important to raise your voice in things you feel passionate about and things that you know about. Don't raise your voice just to raise your voice if you have nothing behind it and don't know what you're talking about.
This is going to sound cheesy, but with acting there are so many tools. When you're on camera, you're using all of it. You're using the voice, you're using your body, you're using wardrobe, all of it, but it's funny, once you take all of those things away, you realize how much you rely on the physicality.
At home, a man is entitled to raise his voice maybe once a year, if something really gets under his skin. At work, it's different. I raise my voice all the time. Not out of malice, but to get things right. It's never personal.
You know in democracy you can protest peacefully and I'm sure you know it will have at least some kind of impact. You need to raise your voice. If you can't do much, you know, but at least raise you voice. Raising your voice is something you need to do.
Garbage. It's a natural quality of huskiness in the midrange of my voice that I call 'garbage.' It's not a clear-toned announcer's voice. It's more like the voice of the guy next door.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
I gave my father a heart attack. It was a practical joke. Come on, you push a guy's face in a cake he's got to clean it off. You hit a guy with a water balloon, he's got to dry off. Guy's in the hospital, you get his testicles shaved, he scratches and bleeds for a week... it's funny... you're not supposed to have a heart attack, it kills the joke.
I'm like a bumper car. When I did an infomercial I was fodder for every TV comedy show. I couldn't get a job. People said I was a huge joke. I've been a joke so many times. I've been on my way out since I started, but I'm strong-willed. My mother is so much tougher than I am and my grandmother is so much tougher than my mother.
The children of America are not rebelling for no reason. They are not hippies for no reason at all. We don’t have what we have on Sunset Blvd. for no reason. They are rebelling against something. There are so many things burning the people of this country, particularly mothers. They feel they are going to raise sons—and I know what it's like, and you have children of your own, Mrs. Johnson—we raise children and send them to war.
It's just using my size. On the defensive end, it's using my length to disturb the smaller guys. On the offensive end, if there's a post-up advantage, I can take it.
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