A Quote by Anthony Jeselnik
In a late-night monologue, it's not just about being funny; you have to come off as knowledgeable. You have to cultivate a persona of trust and intelligence and likeability.
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It's funny that some of the people who complain the most about intelligence being politicized are the ones politicizing the intelligence.
In late 2004, I left my much-maligned home state of New Jersey for the supposedly greener pastures of Astoria, Queens. I'd finally be in the mix, living off the subway line, able to go from audition to audition during the day and from late night show to late night show in the wee hours of the morning.
One of the things that I truly have had to learn, sometimes the hard way, but that I'd like to share with you is to trust your own instincts no matter what people might say about you, no matter what criticism or what negativity might come your way for just being who you are, and just being yourself, it's so important. Tonight is your night.
You listen to any monologue on late-night TV or just in general, to people talking, and there's always a joke at someone's expense. It's sarcasm; it's nasty. Kids grow up hearing that, and they think that's what humor is, and they think it's OK. But that negativity permeates the entire planet.
When you're singing, it can be looked at as a monologue, in a way. If it's about telling a story and connecting with your audience, you can do that through song, through dialogue, or through a monologue. That's what's special about being an entertainer.
The only people who have doubts about the sincerity of my music are people who come to it relatively late, off the back of having seen me in a film. Acting is about being other people, and music is about being myself.
[Late-night host] is not really a job for a woman. You can't have kids and be a late-night host.I mean Samantha Bee has children, but you're there all day and all night. No one has a life outside of it. I would never try to have a family. I care much more about a career anyway, than having a family, so that's my own prerogative. It's just not something that a woman.
It's more about when you come back from being out somewhere; in a minicab or a night bus, or with someone, or walking home across London late at night, dreamlike, and you've still got the music kind of echoing in you, in your bloodstream, but with real life trying to get in the way. I want it to be like a little sanctuary. It's like that 24-hour stand selling tea on a rainy night, glowing in the dark. It's pretty simple.
I write best late at night, when everyone in the house has gone to bed. There's something magical about that late night silence that appeals to me.
In order to cultivate yourself and to drop no lower than the level of the milieu in which you have landed, it is not enough to read Pickwick and memorize a monologue from Faust... You need to work continually day and night, to read ceaselessly, to study, to exercise your will... Each hour is precious.
Being funny with a funny voice is more my comfort zone, a broader character that I try to humanize, a kind of silly or wacky persona that I try to fill in.
I always knew she was being funny, but when I tell my therapist that my mom played the trust game with me and let me fall on the ground, my therapist does not find that funny. She's like, "That's the reason for everything! That's why you have such a hard time with trust!" And I'm like, "I don't really have a hard time with trust. I thought it was funny."
I want to come back and do talk. I want to do late-night talk the right way. Arsenio ain't there anymore, and the late-night talk competition is weak. All them dudes is weak. I don't even know who they are. Weirdos, and I don't even care. I want to bring real fun back to late night where a real comedian is doing it.
I like to work from home. I do most of my writing in bed, late at night after everyone has gone to sleep. I need to be alone with my thoughts, and late at night is about the only time that can actually happen.
I'm not the type of guy who's funny in the room. I'm the guy who's funny late at night on a computer, trying to construct jokes.
I never wanted to be in the late-night talk show wars, and I think somehow with 'Totally Biased,' I got caught up in all that. Suddenly, there are articles about how we finally have a black voice in late-night.
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