A Quote by Anthony Jeselnik

I think brilliant stuff comes out of working with limitations. One liners are very limiting, but that's what drew me to them in the first place. — © Anthony Jeselnik
I think brilliant stuff comes out of working with limitations. One liners are very limiting, but that's what drew me to them in the first place.
One of the first things I do with people is help them figure out what their limiting beliefs are and then encourage them to question, "Well, do I really want to keep that one? Is it limiting me? Does it not fit me? Is it holding me back?"
When I was in high school I saw Steven Wright, a brilliant one-liner comedian, and I thought: 'That's what I should do; I should write one-liners.' And I did. My first album is mostly one-liners.
I think Coran Capshaw is such a brilliant entrepreneur and he always thinks about new stuff; the biggest stuff you can imagine. I know he's working on a lot of things for me at the moment, and I think it will definitely help my career to go to the next level.
Small wastebasket liners, $1.17 ... tall wastebasket liners, $2.29 ... garbage can liners, $3.98 ... I think I just spent $7.44 buying something I'm going to throw away.
Probably my first memory of theatre, the first one I guess that had an impact on me was when I saw my very first panto with my Primary School. I think just going there and experience that for the first time, being so young, it's something that's actually stuck with me right up until now. And to think back and to sort of remember that magic and that first little hint of it was brilliant.
I have a brilliant sound design team who's been working with me since 'Mr. Robot,' and one of the things we always think about - and it's also something we think about with cinematography - is how we get inside the characters' heads and how do we place the audience where we want them to be or how we want them to feel at any given moment.
People ask me, 'Don't you ever run out of ideas?' In the first place I don't use ideas. Every time I have an idea it's too limiting, and usually turns out to be a disappointment. But I haven't run out of curiosity.
Let kids dream! Let them fantasize. Let them plan all these great things they want to be. Stoke it, instead of limiting what you think people can do and limiting what you think their capabilities are. And liberals, by definition, do that. They don't think anybody's capable of much. That's why government's need.
People ask me, 'Don't you ever run out of ideas?' Well, on the first place, I don't use ideas. Every time I have an idea, it's too limiting and usually turns out to be a disappointment. But I haven't run out of curiosity.
It was such an amazing experience to be able to spend nine days on a boat with these Greenpeace people. Some of them were scientists and some were crew members working on the ship. Just to hear their stories, like what drew them to Greenpeace in the first place and what they've been through. Every single second of the day they work to save the planet, which makes me as an actor feel quite insignificant.
My pictures are complex and so am I. When I am almost symbolistic in writing, there is a more limiting difference’s of accepting, while I can be even more complex in the photographs and people can usually accept them within the framework of their own limitations or lack of limitations – there is no dictionary meaning… they can look up for the photographic image and allow it to confuse them.
I drew when I was very, very young. My mom kept stuff I drew when I was 2 and a half years old, because it looked like, you know, like a jaguar as opposed to a cheetah.
I'm never in Hollywood! I'm a theatre actor that lives in New York. I'm very seldom in Los Angeles. I don't dislike LA, I just don't think it's a very healthy place for me to be all the time. When I'm shooting a movie there and am working I'm perfectly happy. But when I'm not working or engaged in something it's a place that I wouldn't live.
If you do have limitations, then you have to find out what they are. And if you find out what they are and avoid them, then they aren't limiting anymore.
As a comic, it's anti-comedy to be known. I think a lot of comedic actors get lost in this world of Hollywood and all this stuff. They lose what brought them there in the first place. I'm very trepidatious about it.
When you hear a lot of stories about Africa, and you get to a place like Kenya and other countries like that, where they think the same way we do, I was happy to find that the Schedule of Rights that I drew for the Kenyan Government was working very well.
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