A Quote by Anthony Kiedis

Writing music always happened for me in periods when I wasn't under the influence of mind-altering substance. — © Anthony Kiedis
Writing music always happened for me in periods when I wasn't under the influence of mind-altering substance.
I would like a nice, powerful, mind-altering substance. Preferably one that will make my unborn children grow gills.
The idea that the creative endeavor and mind-altering substances are entwined is one of the great pop-intellectual myths of our time. Substance abusing writers are just substance abusers — common garden variety drunks and druggies, in other words. Any claims that the drugs and alcohol are necessary to dull a finer sensibility are just the usual self-serving bullshit. I've heard alcoholic snowplow drivers make the same claim, that they drink to still the demons.
Country music was the music I was brought up on. It's the music that's closest to my heart and the music that speaks to me the most, and it's always been a big influence on my own songwriting.
I always go in very emotionally when I'm doing music. Sad or happy, I'm always into it. I have a hard time writing for other people, writing with someone else in mind.
There was a period when STP and I weren't making music - we weren't getting along very good at all. But I had my studio, so I was writing and recording a lot of music. But something told me not to put it out. It was all stream of consciousness; it was clever, but it didn't really have substance.
With all due respect, many in the entertainment industry are deep into mind-altering substance abuse, and when one's logic and intellectual calculating powers are replaced with dopey feel-good, fantasy-driven denial, the democratic party serves them well.
I always try to write about something that's actually happened or it doesn't always have to have happened to me, but it has to have happened at some point. So every single lyric that you hear comes from some kind of story that I've come across in my life. I like to think that that maybe helps me mean it a bit more and if you don't mean it, it ceases to be soul music.
Revisiting 'Leave It to Beaver,' and seeing it in the pristine visual clarity of digital restoration, are mood-altering if not quite mind-altering experiences, very much for the better.
I wish it was clear for me how it happened [stop writing songs], then maybe I could start writing again. But it's kind of an "it." It just submerged itself. Because the way I had always written was just that it came out. It just happened.
Why do I do it? Because I enjoy its effects. You know, I - why does anybody use any mind-altering substance, you know, because they like the way it makes them feel.
Music's always part of my writing. I think all art is interconnected. You can't create or experience one without its influences bleeding into another. In my writing, music's mostly something that feeds my inspiration and mood while I'm writing, but it's also taught me how to score scenes and even novels. The rise and fall of the storyline echoes the flow of a good piece of music.
I feel like you become a songwriter when you claim that it's sort of like a switch flipped, and you're always writing. Even in your sleep, you're always thinking about it in the back of your mind. The true writing - when you're officially writing - that's just when its front of mind, but its always there. You're always listening for a hook.
It was a natural thing for me to go become a musician, and then to start writing music. I don't even really remember making a decision to go into music, it was just there for me, always. If I weren't making a living at it, I'd still be writing music.
A Golden Globe is a mood-altering substance, there's no doubt about that.
All writers have periods when they stop writing, when they cannot write, and this is always painful and terrible because writing is like breathing.
No pleasure is simpler, no luxury cheaper, no consciousness-altering substance more benign.
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