A Quote by Anthony Powell
The whole idea of interviews is in itself absurd - one cannot answer deep questions about what one's life was like - one writes novels about it.
Related Quotes
The reason I don't like interviews is that I seem to react violently to personal questions. If the questions are about the work, I try to answer them. When they are about me, I may answer or I may not, but even if I do, if the same question is asked tomorrow, the answer may be different.
When I get the questions, I answer what I can answer. If they ask me about the match, I cannot really say that I like eating bananas.
Sex is. There is nothing more to be done about it. Sex builds no roads, writes no novels and sex certainly gives no meaning to anything in life but itself.
I've done thousands of interviews in my life, and it's a format that I quite enjoy, because I think of questions in interviews as an opportunity to sort of gauge my growth in a way. It gives me an idea of how I'm navigating this world that I'm in.
Corporations must answer questions about why they should be in the blogosphere. Small Businesses need to answer questions about why they shouldn't.
We have millions of questions that need answers because there are so many things that the reasoning mind cannot explain. It is not important if the answer is correct; just the answer itself makes us feel safe.
If there are questions then, of course, there are answers, but the final answer makes the questions seem absurd.
The thing about interviews is that if someone interviews you, and they're an idiot, then they make you sound like an idiot, too. They ask you stupid questions, and they bring you down to their level. It's tempting to not ever want to talk to anybody, but you can't do that.
When somebody asks, 'Whats the answer to all of these questions?' that's absurd. There is no answer, there are answers, along the way.
have a much harder time writing stories than novels. I need the expansiveness of a novel and the propulsive energy it provides. When I think about scene - and when I teach scene writing - I'm thinking about questions. What questions are raised by a scene? What questions are answered? What questions persist from scene to scene to scene?
The cool thing about Watchmen is it has this really complicated question that it asks, which is: who polices the police or who governs the government? Who does God pray to? Those are pretty deep questions but also pretty fun questions. Kind of exciting. It tries to subvert the superhero genre by giving you these big questions, moral questions. Why do you think you're on a fun ride? Suddenly you're like how am I supposed to feel about that?
Intelligent, heartfelt stories that tell a whole new set of truths about growing up American. Julie Orringer writes with virtuosity and depth about the fears, cruelties, and humiliations of childhood, but then does that rarest, and more difficult, thing: writes equally beautifully about the moments of victory and transcendence.
We must not let go manifest truths because we cannot answer all questions about them.
Those who are concerned with the arts are often asked questions, not always sympathetic ones, about the use or value of what they are doing. It is probably impossible to answer such questions directly, or at any rate to answer the people who ask them.
It is not the function of religion to answer all the questions about God's moral government of the universe, but to give us courage through faith to go on in the face of questions to which we find no answer in our present status.
I wanted to answer big questions about humanity, about how it is that we understand about the world, how we can know as much as we do, why human nature is the way that it is. And it always seemed to me that you find answers to those questions by looking at children.
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