A Quote by Anthony Ramos
Looking back, when my cousins and I were kids, we'd put together these little skits - these 10-minute improv scenes. I didn't really understand what I was doing - that I was writing these mini-sketches and acting - but we were all totally into it.
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I've been spending quite a bit of time writing, acting, and making films. Because I'm doing all this extra writing, acting, and creating short comedy skits with my friends in improv shows, I feel like that's really filled out my confidence on the mic.
No matter how you feel about your extended family or family gatherings you will be attending. This is because now the ultimate reason for attending family gatherings is for your children to have the time of their lives with their cousins. Little kids love their cousins. I’m not being cute or exaggerating here. Cousins are like celebrities for little kids. If little kids had a People magazine, cousins would be on the cover. Cousins are the barometers of how fun a family get-together will be. “Are the cousins going to be there? Fun!
I have always been doing sketch comedy since I was a kid because one of my mom's boyfriends was an improv comedy guy so were doing skits all the time growing up.
My best friend growing up really put the bug in my ear about acting. We created this one hour-and-a-half improv play when we were 10 or 11 and performed it at the library. We just played off each other so well and had the best time doing it and the funniest part was, we wound up having packed houses, other people loved it too.
I did a lot of acting, funnily enough, unprofessionally, as a kid. From when I was 10 years old until I was about 19, I was always doing little sketches with my friends, and doing different accents and voices.
I love comedy. I suppose comedy is my first love, in a way. I did a lot of acting, funnily enough, unprofessionally, as a kid. From when I was 10 years old until I was about 19, I was always doing little sketches with my friends, and doing different accents and voices. Probably about 3/4 of those were comedic, in some way, and the other 1/4 was more serious stuff or more action or more dramatic little pieces that I would make. But, I tend to lean towards comedy.
We grew up in abject poverty. Acting, writing scripts and skits were a way of escaping our environment at a very young age.
My mom and dad? Oh, they were a fiery pair. They stayed together for the kids and also because they were hopelessly in love with each other, but they were totally incompatible.
When kids like Steven Spielberg were eight and nine and 10, they had little cameras, and that's all they wanted to do. When I was 10, I was in my attic pretending to host my own variety show. Spielberg wasn't. That's why he's a film director, and I'm doing what I'm doing.
My acting has always been in the world of comedy, but in my writing, other than writing sketches, I really am drawn to the balance between comedy and drama. I like things that sort of toe that line of one minute you're in this emotional space and then all of the sudden something happens.
I really do think for the vast majority of cases, doctors didn't think they were doing anything wrong - they were doing what was being recommended at the time, and many times people were able to take these prescription opioids and not have a problem with it. But what we do know is that if we take these drugs long-term, dependency develops quickly, within as little as a week. What we all have to realize is that these pills are chemical cousins of heroin - one is an illegal opioid and one is legal, but they are relatives.
Mork, played by Robin Williams, was my introduction to improv, and my first real peek behind the curtain of television production; I had seen Williams riffing on 'The Tonight Show' and soon put it together that certain scenes with Mork were not scripted.
When I was in acting class, we did a lot of really serious scenes, and we didn't do comedic scenes. I felt like doing those scenes, it didn't come out of my mouth the right way. I don't know if it's because my voice is different, or what it is about me, but it just seemed a little off.
I loved doing 'The Family' with Eunice and Mama. They were very interesting because there were no jokes written into those sketches. It was all character-driven. And sometimes it got a little heavy.
Nobody uses skits at all anymore, so it seems like I use a lot. That's how I grew up on tapes. Biggie tapes, Biggie albums would have skits. The Lox would have skits. Mase would have skits. All the dudes I grew up on in Nineties rap would have skits on their projects, just to make you feel like you were right there with them.
I was a woman and younger. I started spending a lot of time in the mall doing a lot of qualitative research and really watching what consumers were doing. Were they gravitating towards the sales racks, or were they looking at the new fashions? Were they there to shop, or were they there to socialize?
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