A Quote by Anthony Ray Hinton
Believe me, when you're sitting on death row, you want the appeal process to take time; as long as you're going through it, you're going to be alive.
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I have a very simple point of view, which is, I'm going to be alive for some amount of time; I don't know how long that's going to be. Then I'm going to be dead for a really, really long time. Right? You need to squeeze everything you can out of this time when you're alive.
I believe that I'm going to have a long career, as long as I want, and I think by me going out into the world living a little bit made me... gave me more depth, so when I do go, going into movies is much easier for me.
We're basically this very young species, only 200,000 years old. We're one of the newcomers, and we're going through the same process that other species go through, which is, how do I keep myself alive while taking care of the place that's going to keep my offspring alive?
I think that one of the many advantages of death accruing over a long period of time is that you do have time to meet a lot of other people who are going through similar situations and one of the great delights of our life actually was sitting around in labs waiting for the results of tests and talking to other people who were waiting to find out whether their cancer numbers were going in the right direction or not.
I'm never going to sub-contract out jobs for offense and defense. I'm always going to hire people I believe in - and are going to do things our way, that are going to believe in process, that are going to be part of a program.
Performance is made in the editing room, and I've come to see the truth in that - the idea that they say performances are usually made in the editing room because what you film is the raw material. I think just going through the process of saying, "Which take do we use? Why is that the take we want? I want that take can you edit again, I'm not sure that's the one, I think it's this one." And just because you go through that process, I think somehow it's made me sort of more open about the [actor's] possibilities.
By the time of Andi Parhamovich death, I had already grown skeptical of the Iraq war. What her death made me realize was what the actual price was. Going through that kind of loss and seeing how devastating it was on her family and friends made me decide that I was only going to write about things that I really believed in. I'm not going to compromise on that.
When I was first going through my separation, someone said to me, 'It will take you half as long as you were in the relationship before you'll feel better.' And I wanted to knock them out cold across the table. Because, of course, I was in agony. And the last thing I wanted to think was that I was going to stay that way for a long time.
A couple years ago I was going to back off and actually thought about retiring, but it keeps calling me back, and I'm going to keep going back as long as it calls me. I really think it has something to do with the good vibes that I feel I've spread through my performance and through the time that I've spent with fans.
All the rejection that I've been through only made me stronger, and it's part of being an entrepreneur. You kind of have to take the kid gloves off and let them feel it because it's not going to be the first time that someone's going to say "no" or close a door in your face. You're going to have to figure out how to burst through it.
Obviously, untangling sex from aggression and violence or the threat of it is going to take a very long time. And the process is going to be greatly resisted as a challenge to the very heart of male dominance and male centrality.
Death is the end of the fear of death. [...] To avoid it we must not stop fearing it and so life is fear. Death is time because time allows us to move toward death which we fear at all times when alive. We move around and that is fear. Movement through space requires time. Without death there is no movement through space and no life and no fear. To be aware of death is to be alive is to fear is to move around in space and time toward death.
I'm afraid of sudden death. I'd like to know I'm going to die. That's why death row wouldn't be so bad, although it's not pleasant. And cancer, inoperable, wouldn't be bad. That's not pleasant either. But to drop dead suddenly, it's hard on everybody else. My family, my relatives, my friends. It's just not a good way to go. I want to know I'm going to die.
I'm not going to please everyone; not everyone's going to like me. I accepted that a long time ago, and if I had to shed a tear every time I got a hate email, believe me, I'd be severely dehydrated.
It's been a process of evolving within a family company to get the autonomy I now have from a boss like my father. If you're sitting there waiting for a pat on the back, you're going to be waiting a long time.
It's always tricky when someone who's not used to it volunteers to be an extra and you want to go, 'Listen, you're going to be sitting there for a long time.'
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