A Quote by Anthony Rendon
I just try to make the pitcher work.
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I make work that tries to sort of connect with something really, really familiar. I don't try to make work that's original. I try to make work that's quintessential. That's what I mean about the familiar. It operates with stuff that people already know or information that they already have and I try to just use that. Quintessential means like the perfect minimalist sculptor.
If a pitcher goes up there and he's throwing a ball and it's a breaking ball down and away or a fastball up and in, a perfect pitcher's pitch, and you're able to just foul it off and stay alive in the at-bat, just keep grinding, keep working through the at-bat and hoping for that mistake that he's going to make. And if he doesn't, then you walk.
When I went to home plate in a game-tied situation or with a chance to do something and help the ballclub win one, I'd try to make eye contact with the pitcher.
When people ask me, "Who was the toughest pitcher you ever faced?", I have to say that there has never been a pitcher who over-impressed me. That's not meant to be a bragging statement. It's just that I get up for good pitchers.
Greg Maddux is probably the best pitcher in all of baseball along with Roger Clemens. He's much more intelligent than I am because he doesn't have a 95 or 98 mph fastball. I would tell any pitcher who wants to be successful to watch him, because he's the true definition of a pitcher.
My job as an actor is to try to do what the director wants me to do. I'm going to do everything I can to incorporate that note and make it work. If it doesn't work, I'll try this kind of thing, and "How do you feel about that?" If you are at odds with the director, neither one of you is going to get anywhere. You really do have to be able to make both of you happy. Even when I was younger, there were times when you have to find a way to make it work for both of you.
In the mornings, I try to spend anywhere from 15 to 60 minutes with my son. Failing that, I try for 30 to 60 minutes together at the end of the day. I try to make that work, but if I can't, I just move on. You can't beat yourself up about it.
I always say to every actor, and to people that want to get into this industry, to just try to be on set as much as you can, try to go to acting class, and try to work on your craft because there's nothing that can prepare you, like just when you get thrown onto a set and you've got to work.
Every great batter works on the theory that the pitcher is more afraid of him than he is of the pitcher.
Redemption means you just make a change in your life and you try to do right, versus what you were doing, which was wrong. So I think a lot of people get hooked on drugs and when they get over that addiction they go out and they try to talk to kids and they try to work in rehab centers.
If I'm a pitcher, my only point would be that if I'm a relief pitcher, I think I like the idea of warming up on the field.
I think everyone at some point comes up against a wall. Curiously, though, if you continue working, you might readdress that idea from another direction. If you didn't try something, you'd never have anything; if you didn't make an attempt to make the work, it wouldn't exist. There have been times when I could not work, and I would just go and sit down in the studio and wait to see what might happen. You can't always just go and take an exotic trip and come back and make something.
Every now and then you'll say something that didn't quite work. But the important thing is, as a comic, you try to learn why it didn't. And then you adjust and figure out how to either make it work or just abandon it because it's just not funny.
And then when I went to stay in '68, I can honestly say that I was not focused on my career and on what it took to be a major league pitcher and to be a starting pitcher.
I'm always just grinding and figuring out what adjustment I need to make and how to tweak my swing to where I want it to be for that game and that pitcher.
But deleting work is sometimes the best decision you that you can make. Because you try and make this thing, that you know in your gut isn't right, and you just have to let it go. You have to be brutal.
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