A Quote by Anthony Shadid
In any kind of conflict, you have a certain dehumanization that comes along with it. And it's important as a reporter, a writer, a journalist, to try to restore humanity.
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When a certain community is destroyed, in reality it destroys a part of all of us. So there should be a clear recognition that the entire humanity is just one family. Any conflict within humanity should be considered as a family conflict. We must find a solution within this atmosphere.
I spent two years in Cairo, and I felt a certain urgency about trying to understand the region and the conflict here, in the modest way that a journalist might be able to try and shed some understanding and enlightenment on a region that is profoundly conflicted, and a conflict that has real consequences for Americans.
The most important and brave thing someone can do, I think, in the face of dehumanization, is to continue to assert their humanity.
In any conflict between humanity and technology, humanity will win.
The common bond of humanity and decency that we share is stronger than any conflict, any adversity. Fighting for your convictions is important. But finding peace is paramount. Knowing when to fight and when to seek peace is wisdom. Ubuntu was right.
As every writer knows... there is something mysterious about the writer's ability, on any given day, to write. When the juices are flowing, or the writer is 'hot', an invisible wall seems to fall away, and the writer moves easily and surely from one kind of reality to another... Every writer has experienced at least moments of this strange, magical state. Reading student fiction one can spot at once where the power turns on and where it turns off, where the writer writes from 'inspiration' or deep, flowing vision, and where he had to struggle along on mere intellect.
When you are what we call a 'minority writer,' a writer of color, a writer of any kind of difference, there is some kind of presumption of autobiography in everything you produce. And I find that really maddening, and I resist that.
When you have a conflict, that means that there are truths that have to be addressed on each side of the conflict. And when you have a conflict, then it's an educational process to try to resolve the conflict. And to resolve that, you have to get people on both sides of the conflict involved so that they can dialogue.
I think I have a certain kind of style. I think at the same time, I'm aware that there's certain things that I did as a playwright in certain plays, and I try not to repeat myself, even though I have a certain kind of sensibility, and I tend to gravitate toward certain things.
I almost became a political journalist, having worked as a reporter at the time of Watergate. The proximity to those events motivated me, when I wound up doing philosophy, to try to use it to move the public debate.
The journalism, I was a financial journalist - it's very good training as a writer. You have to write for deadlines; you have a certain economy of phrasing. As a training ground as a writer, it's fantastic. I also think it teaches you to be observant, to listen to people, and gives you an ear of dialogue from doing interviews.
The one thing that shaped my life was when I was 15 or 16: I knew I wanted to be a journalist. And not just a journalist, but a journalist in the Middle East, and to go back to the Arab world and try to understand what it meant to be Lebanese.
I am old enough to think the word 'journalist' is not all that noble a designation. Journalist - that record keeper, quote taker and processor of press releases - was, in the world of letters I grew up in, a lower-down job. To be a writer - once the ambition of every journalist - was to be the greater truth teller.
I always wanted to be some kind of writer or newspaper reporter. But after college... I did other things.
If you can find a way to confound people's prejudices, restore the humanity of people, individuals, you restore them to life.
I feel like it's important to be flexible, particularly when I'm coming in late in the game and I'm connective tissue in the story. I'm not at the very center. It's important for me to have a certain kind of flexibility and try to help people do what they need to do.
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