There comes a time when even the reformer is compelled to face the fairly widespread suspicion of the average man that politics is an exhibition in which there is much ado about nothing.
Then I saw Keanu Reeves in 'Much Ado About Nothing' and I know if he can do it, I can do it too.
The much-hyped Ares 1-X was much ado about nothing.
I didn't understand how funny this play Much Ado About Nothing truly was until I became an English teacher and had to teach it. There is no wittier dialogue anywhere.
I played Benedick in 'Much Ado About Nothing' nearly 30 years ago at the RSC, alongside Susan Fleetwood as Beatrice, and I loved every minute.
Success is not something I've wrapped my brain around. If people go to those movies, then yes, that's true, big-time success. If not, it's much ado about nothing.
I was a football player at college and dislocated my thumb. I was out for a bit and passed the theatre and saw some lovely drama students walking into an audition for 'Much Ado About Nothing' and thought: 'That's what I'll do when I recover.' I joined that production and was hooked.
I love that 'Much Ado About Nothing,' passionate, smart fighting. I love fighting with guys, and that's something that I don't get to see: arguing at a high level with a member of the opposite sex. That didn't really happen that much on 'The Office.' I just like that 'Moonlighting,' Benedick-Beatrice type of thing.
We did a lot of high school productions. My first was 'Twelfth Night.' I played Viola. We did 'Much Ado About Nothing' and 'Taming of the Shrew,' and a lot of musicals: 'The Wiz,' 'Bye Bye Birdie,' 'Oliver.'
Sweet Beatrice, wouldst thou come when I called thee? BEATRICE Yea, signior, and depart when you bid me. BENEDICK O, stay but till then! BEATRICE 'Then' is spoken; fare you well now... (Much Ado About Nothing)
...Having no recourse, I feel back on Shakespeare. Leif would recognize it and understand the context properly. With my remaining few seconds of consciousness, I quoted Benedick from Much Ado About Nothing, who spoke these words to his former friend: "you are a Villain: I jest not." and then I collapsed into a pool of my own blood.
I suppose that there might have been leading men who were put off from casting me as the ingenue because I was taller than they were, but I've no idea that this ever happened. When I did 'Much Ado About Nothing' opposite Mark Rylance in the West End, we used the difference in our heights as part of their relationship.
We make needless ado about capital punishment,--taking lives, when there is no life to take.
Tender, too, is the silence of human feet. You have but to pass a season amongst the barefooted to find that man, who, shod, makes so much ado, is naturally as silent as snow.
The outsider may indeed wonder at this seeming much ado about nothing. What a tempest in a tea-cup! he will say. But when we consider how small after all the cup of human enjoyment is, how soon overflowed with tears, how easily drained to the dregs in our quenchless thirst for infinity, we shall not blame ourselves for making so much of the tea-cup.