A Quote by Anthony Trollope

The habit of writing clearly soon comes to the writer who is a severe critic to himself. — © Anthony Trollope
The habit of writing clearly soon comes to the writer who is a severe critic to himself.
It is necessary a writing critic should understand how to write. And though every writer is not bound to show himself in the capacity of critic, every writing critic is bound to show himself capable of being a writer; for if he be apparently impotent in this latter kind, he is to be denied all title or character in the other.
A critic is never too severe when he only detects the faults of an author. But he is worse than too severe when, in consequence of this detection, be presumes to place himself on a level with genius.
One hasn't become a writer until one has distilled writing into a habit, and that habit has been forced into an obsession. Writing has to be an obsession. It has to be something as organic, physiological and psychological as speaking or sleeping or eating.
There is no satisfactory explanation of style, no infallible guide to good writing, no assurance that a person who thinks clearly will be able to write clearly, no key that unlocks the door, no inflexible rules by which the young writer may steer his course. He will often find himself steering by stars that are disturbingly in motion.
Writing is a concentrated form of thinking...a young writer sees that with words he can place himself more clearly into the world. Words on a page, that's all it takes to help him separate himself from the forces around him, streets and people and pressures and feelings. He learns to think about these things, to ride his own sentences into new perceptions.
I don't let myself believe in writer's block. I feel very strongly writing is habit as much as an art or a craft. And if you write crap, you're still writing.
The writer who is literally an addict, the writer who can't help himself, the writer who HAS to write, can never be anything but an amateur, because the industry requires the professional to put writing on hold not just for a day or two, or a week, but for years.
The shock, for an intelligent writer, of discovering for the first time that there are people younger than himself who think him stupid is severe.
Any act often repeated soon forms a habit; and habit allowed, steady gains in strength, At first it may be but as a spider's web, easily broken through, but if not resisted it soon binds us with chains of steel.
I'm clearly most well known for my music. Eventually, ultimately, I'll be writing books. I'm still writing articles now. I just consider myself a writer.
When someone writes a book review, they obviously already self-identify as a writer. I mean, they are. They're writers, they're critics, and they're writing about a book about a writer who's a critic. So I think it's really hard for people to distance themselves from what they're criticizing.
All writing is an antisocial act, since the writer is a man who can speak freely only when alone; to be himself he must lock himself up, to communicate he must cut himself off from all communication; and in this there is something always a little mad.
When a critic sets himself up as an arbiter of morality, a judge of the matter and not the manner of a work, he is no longer a critic; he is a censor.
The good writer seems to be writing about himself, but has his eye always on that thread of the Universe which runs through himself and all things.
My literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.
The literary critic, or the critic of any other specific form of artistic expression, may detach himself from the world for as long as the work of art he is contemplating appears to do the same.
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