A Quote by Anthony Trollope

When a man wants to write a book full of unassailable facts, he always goes to the British Museum. — © Anthony Trollope
When a man wants to write a book full of unassailable facts, he always goes to the British Museum.
It is a standing source of astonishment and amusement to visitors that the British Museum has so few British things in it: that it is a museum about the world as seen from Britain rather than a history focused on these islands.
If there was a little room somewhere in the British Museum that contained only about twenty exhibits and good lighting, easy chairs, and a notice imploring you to smoke, I believe I should become a museum man.
If an army of monkeys were strumming on typewriters, they might write all the books in the British Museum.
The British Museum was our first real museum, the property of the public rather than the monarch or the church.
One of the best things Henry Miller ever said was that art goes all out. It's all out. It goes full length. . . . A big book is an all-out book in which you limit your life to things that pertain directly to the book.
Man seems to be a rickety poor sort of thing, any way you take him; a kind of British Museum of infirmities and inferiorities. He is always undergoing repairs. A machine that was as unreliable as he is would have no market.
You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.
I've always wanted to write a song that goes, "I love you" and a book that goes, "Something happened." Something very direct.
It's always a better choice to write a new book than it is to keep pounding your head against the submissions wall with a book that's just not happening. The next book you write could be the book, the one that isn't a fight to get representation for at all.
There is a great deal of difference between an eager man who wants to read a book and the tired man who wants a book to read.
...revivals (or any other spiritual gifts and graces) come only to those who want them badly enough. It may be said without qualification that every man is as holy and as full of the Spirit as he wants to be. He may not be as full as he wishes he were, but he is most certainly as full as he wants to be.
Write what you want to read. So many people think they need to write a particular kind of book, or imitate a successful style, in order to be published. I've known people who felt they had to model their book on existing blockbusters, or write in a genre that's supposed to be "hot right now" in order to get agents and publishers interested. But if you're writing in a genre you don't like, or modeling yourself on a book you don't respect, it'll show through. You're your first, most important reader, so write the book that reader really wants to read.
You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.
My favourite museum is the British Museum.
Kevin Nash came to me; he goes, 'Book, hey, Book, man, you know, this nWo thing is getting real hot, bro. And, man, we need some color, man.' I swear to God, that's how he said it! 'We need some color, bro.' He goes, 'We want to bring you in.' I go, 'Man, thanks, but no thanks. No way.' I said, 'I'm a solo act, man.'
I should write a book. I've always wanted to write a book. I should write a book about kids who see dead people.
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