A Quote by Anthony Weiner

New York lost a classic. Carmine was an old school New Yorker. — © Anthony Weiner
New York lost a classic. Carmine was an old school New Yorker.
My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones.
In New York, all the crews read 'The New Yorker.' In Los Angeles, they don't know from 'The New Yorker.'
I see a New York where there is no barrier to the God-given potential of every New Yorker. I see a New York where everyone who wants a good job can find one. I see a New York where the people can believe in a grounded government again.
Every true New Yorker believes with all his heart that when a New Yorker is tired of New York, he is tired of life.
I kind of grew up on the East Coast, lived in New York for a while, then moved to L.A. So I'm not a New Yorker at all, but I'm much happier in New York; I've always liked it better.
Feeling is taboo, especially in New York. I read in some little magazine the other day that The New Yorker and The New York Times were sclerotic, meaning, "completely turned to rock." The critics here are that way.
I'm not trying to be new school and I'm not old school - I'm classic. There's a lot of new cars and there's a lot of old cars, but I'm just classic in doing what I do.
For most visitors to Manhattan, both foreign and domestic, New York is the Shrine of the Good Time. "I don't see how you stand it," they often say to the native New Yorker who has been sitting up past his bedtime for a week in an attempt to tire his guest out. "It's all right for a week or so, but give me the little old home town when it comes to living." And, under his breath, the New Yorker endorses the transfer and wonders himself how he stands it.
I've made so many films in New York. There was an assumption I think a lot of people had that I am a New Yorker, that I am from New York, and I always felt like nothing could be further from the truth.
I am a New Yorker. I like New York. And I like cities. And it's not my desire to make New York more suburban. I would personally just like to vet each person.
'All In' is like the Giants motto, so I kind of took that, and I kind of used New York as the backdrop - how diehard New Yorkers are for their team. Me being a New Yorker, I just had to show my love for the city as well as my love for the New York Giants.
Yeah, I was only in New York from the age of six months until five years old. But my very first memories are all of New York. I remember my first rainbow on a beach in New York. I remember jumping on a bed in New York.
When I was 18, I was moving to New York to start college at The New School. I had done a year of college in Toronto and wasn't happy there. I didn't have any friends in New York City, but I applied and got in. It was pretty overwhelming, but everyone in New York is so ambitious and creative.
One thing I had on my side when it came to How to Make It in America is that I'm a born-and-raised New Yorker. Filming in New York... I'm so thankful and humbled by the whole experience. A lot of it takes place in old neighborhood; I'm an East Village kid, so I get to see my old friends from the neighborhood, my family still lives there.
I didn't have to do that much research to present a post-apocalyptic New York because I basically grew up in that New York. That old New York is gone, and that's one thing that's undiscoverable now but I explore in my fiction.
New York is something awful, something monstrous. I like to walk the streets, lost, but I recognize that New York is the world's greatest lie. New York is Senegal with machines.
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