A Quote by Anthony Yarde
I've got a lot of criticism for not taking domestic fights but I've got my own strategy.
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If you can't describe your strategy in twenty minutes, simply and in plain language, you haven't got a plan. 'But,' people may say, 'I've got a complex strategy. It can't be reduced to a page.' That's nonsense. That's not a complex strategy. It's a complex thought about the strategy.
When I was in the UFC, I would get tickets for a fight, and then what I would do is go in the crowds and watch the rest of the fights. A lot of times, I would end up taking pictures and signing people's books. I didn't care if I got any money or anything. I was just there enjoying my time and watching the fights.
I got in a lot of fights growing up, and not just basketball fights.
I got a little criticism for working with Puff [Daddy] and I got some criticism for doing the special but you have to weigh the good with the bad. I got more of a good response than bad when I did those two things.
There's a lot about being "A Writer" that has nothing to do with writing. That's one thing I've discovered. You've got to meet with the sales force, and you've got to have all these luncheons, and be gracious, and you've got to give a lot of presentations and you've got to give a lot of speeches, and you've got to be on tour.
I got into a lot of fights, but it wasn't because of my name. Being from the neighborhood with a name like Chauncey, people think I got picked on. But a lot of strange names come out of the neighborhood.
I've got my own studio, and I've got four- to five-hundred unreleased tracks. I've got stuff that's electronic, orchestral, jazz, I've got rock, I've got metal, you know, I don't have polka.
When there wasn't a lot of work, I wrote a screenplay, 'What Lies Beneath,' which got noticed and got me more acting jobs. As I got more jobs, I was able to make my own films. That ethos of making my own work has provided me with a lot of opportunities.
A lot of people say I got my own sound. I ain't never really got no comparisons. When people hear my music, they be like, 'He got his own lil sound.'
I've always had that attitude about my career: it's something that I do, but it's not my whole life. I have a real life, a personal life: I've got a lot of chickens, I've got a horse, I've got a kitty-cat, I've got a lot of goats, I've got animals all over the place.
Actually, I had a lot of good people with me - my mother's sister did a lot of taking care of me, and I suppose I got more attention than my stepbrothers because at least I got to travel with my parents.
I look at a lot of my fights and I'm like, 'man, that was too greedy.' I can even look back on my fights, even the good ones where I got the knockouts, and think, 'I should have probably toned it down a little bit.'
I got a lot of criticism online and a lot of harsh comments.
I had a really hot girlfriend in high school and I'd get into fights over that. And by the time I got into high school, I was moved around into a lot of schools, so I was getting into fights in high school.
As a fighter, you've got to do what you've got to do to get the big fights.
As a top manager, you have to not just reward truth-telling, you've got to beg for it, and you've got to demand that everyone around you gives you constructive criticism, constantly. You've got to get out of the bubble, so that you can get direct feedback from everybody who's being affected.
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