A Quote by Antoine de Saint-Exupery

You know...my flower...I'm responsible for her. And she's so weak! And so naive. She has four ridiculous thorns to defend her against the world. — © Antoine de Saint-Exupery
You know...my flower...I'm responsible for her. And she's so weak! And so naive. She has four ridiculous thorns to defend her against the world.
You know–my flower, I am responsible for her. She doesn’t even have four thorns to protect herself from harm.’ (Zarek) Why do you love that book so? (Astrid) Because I want to hear the bells when I look up at the sky. I want to laugh, but I don’t know how. (Zarek)
She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special self-consciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead - every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it?
You cannot hammer a girl into anything. She grows as a flower does, she will wither without sun; she will decay in her sheath as a narcissus will if you do not give her air enough; she might fall and defile her head in dust if you leave her without help at some moments in her life; but you cannot fetter her; she must take her own fair form and way if she take any.
One of my aunties inspires me beause of how easily she shows her emotions, and she isn't ever afraid to cry. My mum, for her work ethic - she might not show her emotions in public very much, but she's a total power woman. My grandma, who watched four of her children die before her, she's a powerhouse.
I'm looking for a writer who doesn't know where the sentence is leading her; a writer who starts with her obsessions and whose heart is bursting with love, a writer sly enough to give the slip to her secret police, the ones who know her so well, the ones with the power to accuse and condemn in the blink of an eye. It's all right that she doesn't know what she's thinking until she writes it, as if the words already exist somewhere and draw her to them. She may not know how she got there, but she knows when she's arrived.
My mother begged doctors to end her life. She was beyond the physical ability to swallow enough of the weak morphine pills she had around her. When she knew she was dying I promised to make sure she could go at a time of her choosing, but it was impossible. I couldn't help.
She was elusive. She was today. She was tomorrow. She was the faintest scent of a cactus flower, the flitting shadow of an elf owl. We did not know what to make of her. In our minds we tried to pin her to a cork board like a butterfly, but the pin merely went through and away she flew.
Do you know what happens when an Arabian woman dances? She does not dance: she protests, she loves, she cries, she makes love, she dreams, she goes away from her reality, to her own world, where love is really meant and she does not want to come back, because that is her reality.
You must learn her. You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to. You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept. And, this is how you keep her.
She tossed her towel on her dresser and turned to the bed where shed left her PJs. Only it wasn't just her PJs on the bed anymore. Lucas, eyes wide, sat on the foot of her bed, about four feet from where she stood completely naked. She squealed. He laughed. She dashed for the towel. Once she had it around her, she glared from a still grinning Lucas to the door. "I'm killing Della!" He laughed again. "I'm afraid I might have to protect her for this one.
The Girl of the Period, sauntering before one down Broadway, is one panorama of awful surprises from top to toe. Her clothes characterize her. She never characterizes her clothes. She is upholstered, not ornamented. She is bundled, not draped. She is puckered, not folded. She struts, she does not sweep. She has not one of the attributes of nature nor of proper art. She neither soothes the eye like a flower, nor pleases it like a picture. She wearies it like a kaleidoscope. She is a meaningless dazzle of broken effects.
A godly woman is beyond average because she keeps her word. She honors her vows. She exhibits great faith. She overcomes great obstacles. And she affects her family, her community, even the world.
Ever argue with a female and, in the middle of the argument, you no longer feel safe because of her actions? She may start pacing back and forth real fast, breathing out her nose. You know what my girl do? When she get mad, she start talking in the third person. That's scary as hell because that's her way of telling me that from this point on, she is not responsible for none of her actions.
The world taught women nothing skillful and then said her work was valueless. It permitted her no opinions and said she did not know how to think. It forbade her to speak in public and said the sex had no orators. It denied her the schools, and said the sex had no genius. It robbed her of every vestige of responsibility, and then called her weak. It taught her that every pleasure must come as a favor from men and when, to gain it, she decked herself in paint and fine feathers, as she had been taught to do, it called her vain.
He leaned her back against the tub, setting her head on the edge, then washed her shoulders. "I know I left you once." She opened her mouth, wanting to say it didn't matter, it was forgotten. But it wasn't. "I know I hurt you." Again, she wanted to argue. But she couldn't. "I know I said I won't leave you again, but I also know that's not enough, and that the only way you're going to trust that I won't leave is if I don't". He slid the cloth over her arms. "If this ends, Hope, it won't be me that ends it. I think you know that.
She sits in her usual ample armchair, with piles of books and unopened magazines around her. She sips cautiously from the mug of weak herb tea which is now her substitute for coffee. At one time she thought that she could not live without coffee, but it turned out that it is really the warm large mug she wants in her hands, that is the aid to thought or whatever it is she practices through the procession of hours, or of days.
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