The definition of horror is pretty broad. What causes us "horror" is actually a many splendored thing (laughs). It can be hard to make horror accessible, and that's what I think Silence of the Lambs did so brilliantly - it was an accessible horror story, the villain was a monster, and the protagonist was pure of heart and upstanding so it had all of these great iconographic elements of classic storytelling. It was perceived less as a horror movie than an effective thriller, but make no mistake, it was a horror movie and was sort of sneaky that way.
As a kid I was into horror. I loved horror. Horror was huge. I was always into horror. Goosebumps for me was massive growing up. Horror for me was always a big thing.
But men are less used to the idea of being raped than women are, and it strikes them with a fresh horror. With women, that horror comes right along with the female genitals.
Like the brief doomed flare of exploding suns that registers dimly on blind men's eyes, the beginning of the horror passed almost unnoticed; in the shriek of what followed, in fact, was forgotten and perhaps not connected to the horror at all.
When there's a great horror movie, people are like, 'Horror's back!' And when there's a series of not so good ones, 'Horror's dead.' I think it's all about the quality. When there are one or two good horror movies in a row, people come out interested again.
I grew up on all sorts of horror - Hammer Horror and Vincent Price's 'Theatre Of Blood.' I loved the hidden, scary layers, but there wasn't that much around for youngsters in terms of horror books. I can remember reading Stephen King's 'Salem's Lot' and 'Cujo,' but I thought there should be more for teenaged horror fans.
I do like horror films, but I wouldn't ever be interested in putting a horror on stage - blood doesn't equal horror.
I had always loved horror films, so I wanted to do something in the horror genre but wanted it to be sweet and charming at the same time. Because there's a difference between watching horror, where you can leave it behind, and writing horror, where you have to live in it for months and months at a time.
Horror isn't only about ghosts or monsters. For example, paranormal romance seems the antithesis of horror. Once you have a sexy, fun vampire who is sweet, and you have a happy ending, it's not horror.
I do like sci-fi, and I do like horror - those are my favorite genres. Good horror, though, not like slasher horror... psychological horror like 'The Shining' - really good stuff!
It's intriguing to me, when I see a horror script, or something like that, that's actually original. I think that's why I love 'Stranger Things,' because it's not just horror, it's everything, and when they use horror it's right.
Why do otherwise sane, competent, strong men, men who can wrestle bears or raid corporations, shrink away in horror at the thought of washing a dish or changing a diaper?
I love horror movies, and the kid is always such a big part. Kids are usually seen as so innocent, like, 'Oh, they can't do anything that creepy - they're kids!' That's what a lot of horror movies draw on, so getting to join that 'club' is really cool.
As for famous men who were not artists, I am beginning to be tired of them. Those poor little scoundrels who are called great men fill me with nothing but overwhelming horror.
I wouldn't exactly describe 'Detention' as a horror movie. I mean, it does have horror elements in it, but it's got a lot more to it, and it's not a typical horror movie.
Horror fans need horror, okay? They don't need little worms squirming around going down your throat. To them, that's not horror.