A Quote by Antoine Predock
I try to understand place on a deeper level than just the physical or environmental aspects. It includes cultural and intellectual forces, too. Its an inclusive approach that brings in many disciplines and sees place as a dynamic thing.
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I try to understand place on a deeper level than just the physical or environmental aspects. It includes cultural and intellectual forces, too. It's an inclusive approach that brings in many disciplines and sees place as a dynamic thing.
I personally think intellectual property is an oxymoron. Physical objects have a completely different natural economy than intellectual goods. It's a tricky thing to try to own something that remains in your possession even after you give it to many others.
You have to decide where the line is in such a complicated place like Saudi Arabia. I was so confused by the place - there's no simple story. It's a place that is really sensitive to how it is judged, particularly by people from the West. So in the end I thought: I'm just going to take the reader on my journey to try and understand this odd place.
Things can be really empty in this world, and I don't just mean the music world. It can become a very meaningless place if you don't really understand: Who am I? Why am I here? What am I doing? To feel fulfillment and have a deeper level of understanding, personally, that is the most important thing.
Things can be really empty in this world, and I don't just mean the music world. It can become a very meaningless place if you don't really understand: 'who am I? Why am I here? What am I doing?' To feel fulfilment and have a deeper level of understanding, personally, that is the most important thing.
I believe that we haven't begun to understand the many forces that bind the physical world, any more than we understand our own minds and what they're capable of.
I'm just telling you, God permits things in our lives sometimes for reasons that we do not understand yet because of the spiritual level that we're on. We can't have any understanding of it, because we're not at a place of spiritual growth yet where we understand the deeper things of God.
The good news of suffering is that it brings us to the end of ourselves - a purpose it has certainly served in my life. It brings us to the place of honesty, which is the place of desperation, which is the place of faith, which is the place of freedom.
You find that you have to do many things, more than just lift up the camera and shoot, and so you get involved in it in a very physical way. You may find that the picture you want to do can only be made from a certain place, and you're not there, so you have to physically go there. And that participation may spur you on to work harder on the thing, . . . because in the physical change of position you start seeing a whole different relationship.
My first intellectual challenge was to try to understand this incredible city of Banaras (also called Varanasi) in India and its meaning for Hindus. That was the place I lived for the first year I was in India and I've been back many times. It's a kind of home to me.
There's nothing New York likes more than a thing. Or a place. Or a place that's a thing. Or a thing that happens to be a place.
You sort of have that meditation, that happy place I go to in my brain. The happy place may be an island or something where I'm on the beach. Something like that where I can sort of at least try to escape and try to just release my mind into that place that I want to be in, into my relaxing place.
I approach the world as a whole by taking an integrative approach, not a world of parts, and I like to bring different fields and disciplines together. The same is true with my preoccupation with cultural expression.
It is the masculine dynamic that has caused our society to place money and corporate profit above human beings. It has allowed the earth to be viewed only as a commodity to be exploited. The feminine perspective sees things differently. She sees the earth and all its inhabitants as entities to be revered and cared for. She sees individual human beings as more important than the relentless advance of capitalism and competition. It is my hope, perhaps indirectly expressed in my work, that the divine feminine is reawakening.
I think one of the problems I think with a lot of people in high school is that people don't think of the Internet as a real place or a place that has physical consequences in the physical world. This happens with adults who ought to know better, too.
There's a vulnerability in music but you've also got to protect your sacred place and have a place you can still retire to that no one else knows about. So that's a thing I just try to balance.
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