A Quote by Antoine Rivarol

Mutability is written upon all things. — © Antoine Rivarol
Mutability is written upon all things.
I've always found that the best things I've ever written, or the things I like the most that I've written, are things where it's a pure idea, and you just follow it and put it down and see if it works.
I want to write such things as compel the admiring acclamation of the world at large, such things as are written but once in years, things subtle but distinctly different from the books written every day.
I've directed things that other people have written before, and I've written things and given them to other directors. So I'm very versatile in terms of that, and I enjoy all of it.
Nought may endure but Mutability.
I don't know what people who I've never met think about me. Some have written horrible things, some have written nice things - but I'm proud of the fact I've remained close to everyone I've ever worked with.
The mutability of the past is the central tenet of Ingsoc. Past events, it is argued, have no objective existance, but survive only in written records and in human memories. The past is whatever the records and the memories agree upon. And since the Party is in full control of all records, and in equally full control of the minds of its members, it follows that the past is whatever the Party chooses to make it.
Most of everything I've ever written actually was written on acoustic. 'Do You Feel' was written on electric. 'I'm in You' was written on piano.
That the things that have impacted me most are not news articles written by older people that I would have no relation to; the things that impact me most are things written by people closer to my age. And I wanted to write things in a way where somebody my age could read it and feel like they are holding somebody's hand and be with somebody.
I have spent myself on all kinds of things ... I have advanced much politically but I have written little and moreover have written it badly.
Mutability of temper and inconsistency with ourselves is the greatest weakness of human nature.
I never felt like a happy-go-lucky ingenue to begin with. And parts are written better when you're older. When you're young, you're written to be an ingenue, and you're written to be a quality. You're actually not written to be a person, you're written for your youth to inspire someone else, usually a man. So I find it just much more liberating.
In this world of chance and change and mutability, the fulfillment of any resolve depends on the will of the Lord.
A lot of things that should not be written were written without checking with me, things that were not in good taste. That hurt me. That is why I stopped talking to the press. Because they didn't want to ask me. They just wanted to write what they felt like.
People are very curious and have written a lot of things about me. Right or not. I never comment on those things, because it's not much of my thing to comment on everything that's written about me.
Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.
Time does not really exist as we know it; rather it's a transfiguration of a concept in which mortality, mutability, is conditioned.
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