A Quote by Antoine Wilson

If Murakami's novels are grand enigmas, his stories are bite-sized conundrums. (...) The great pleasure of the new story collection, Blind Willow, Sleeping Woman, is watching Murakami come at his obsessions from so many different angles. There's a panoply of strangeness between these covers (.....) This collection shows Murakami at his dynamic, organic best. As a chronicler of contemporary alienation, a writer for the Radiohead age, he shows how taut and thin our routines have become, how ill-equipped we are to contend with the forces that threaten to disrupt us.
There are loads of novels that I really love, like Haruki Murakami's books, and when I read them, I do think about how they would work as an anime. But I do believe that those are great books because they work best as novels, or great manga work best in that form.
I've got a nice collection of paintings - a Basquiat, a black-and-white Warhol that's like a Rorschach test, and I commissioned Takashi Murakami to do a ten-foot joint for me. It's almost like the explosion in Hiroshima with his famous skeleton head. There's a wall above my fireplace reserved for it.
Perhaps the writer I've read the most of is Haruki Murakami, the Japanese writer, but I wouldn't necessarily say he's a favourite. I read him because I find his work so intriguing, but I don't necessarily feel I would follow this writer to the ends of the earth.
Murakami's ability to deconstruct and his aesthetic and conceptual freedom have been totally inspiring for me.
Astronomy is useful because it raises us above ourselves; it is useful because it is grand; .... It shows us how small is man's body, how great his mind, since his intelligence can embrace the whole of this dazzling immensity, where his body is only an obscure point, and enjoy its silent harmony.
[Takashi] Murakami, do you think he is spiritual? He is more like de-spiritualized. De-spiritualized might be the most contemporary aspect of the human mind.
The measure of a great writer is not how many weeks his books spend on the best-seller lists, but how many years his books remain in print after his death.
If you asked Rahul Dravid to walk on glass for his team, his only question would be - 'How many miles?' That just shows you how great a man he is.
Everything necessary to understand my grandfather lies between two stories: the story of the tiger’s wife, and the story of the deathless man. These stories run like secret rivers through all the other stories of his life – of my grandfather’s days in the army; his great love for my grandmother; the years he spent as a surgeon and a tyrant of the University. One, which I learned after his death, is the story of how my grandfather became a man; the other, which he told to me, is of how he became a child again.
I find Japanese books quite baffling when I read them in translation. It's only with Haruki Murakami that I find Japanse fiction that I can understand and relate to. He's a very international writer.
I love David Lynch movies, and I like Haruki Murakami books.
David Foster Wallace was a brilliant experimentalist who I deeply admire. His ability to do formalism helped me understand how to tackle stories like "Dictionary" and "Failed Revolution." "Dictionary," in particular, functions against narrative in many ways - each of the definitions are their own mini-story or prose poem, and the collection of them adds up to create a different effect than the traditional Freytagian Pyramid story.
A collection of short stories is generally thought to be a horrendous clinker; an enforced courtesy for the elderly writer who wants to display the trophies of his youth, along with his trout flies.
I will talk about Baker Mayfield. I like everything about his makeup. I like how his teammates really rally behind him. I like his eyes downfield. I like his accuracy with his deep throws. I like how he shows that fighter's spirit; when it comes time to come back, he's fighting through to come back, and I applaud those things.
Warhol was definitely an inspiration when I was younger. I wouldn't quantify his sort of influence. I've been influenced by nature and science, and I've been influenced by people like Ernst and Rauschenberg, Cornell and Bosch and Bruegel, by writers like Haruki Murakami to Pablo Neruda to Artaud.
How can we feel our need of His help, or our dependence on Him, or our debt to Him, or the nature of His gift to us, unless we know ourselves.... This is why many in this age (and in every age) become infidels, heretics, schismatics, disloyal despisers of the Church.... They have never had experience of His power and love, because they have never known their own weakness and need.
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