A Quote by Anton Chekhov

The teacher must be an actor, an artist,passionately in love with his work. — © Anton Chekhov
The teacher must be an actor, an artist,passionately in love with his work.
Leonard [Nimoy] was such a teacher for me. He was one of the most fully realized human beings I have ever known on every level - in his personal life with his personal relationships and his love for his wife and his evolution with his family. Then as an artist, as an actor, as a writer, as a poet, and as a photographer. He never stopped.
An artist must believe in himself - Possibly not so passionately as Lawrence - but passionately. Your belief is contagious. Others say - He is vain - but they are affected.
In order to work and to become an artist one needs love. At least, one who wants sentiment in his work must in the first place feel it himself, and live with his heart
The critic, to interpret his artist, even to understand his artist, must be able to get into the mind of his artist; he must feel and comprehend the vast pressure of the creative passion.
The artist seeks contact with his intuitive sense of the gods, but in order to create his work, he cannot stay in this seductive and incorporeal realm. He must return to the material world in order to do his work. It's the artist's responsibility to balance mystical communication and the labor of creation.
It is with art as with love: How can a man of the world,with all his distractions, keep the inwardness which an artist must possess if he hopes to attain perfection? That inwardness which the spectator must share if he is to understand the work as the artist wishes and hopes... Believe me, talents are like virtues; either you must love them for their own sake or renounce them altogether. And they are only recognized and rewarded when we have practised them in secret, like a dangerous mystery."
A work of art is a work of order, and if the artist is to put the stamp of his own mind on his work, he must arrange, modify, and dispose of his materials so that they may appear in a more agreeable and beautiful manner than they would have assumed without his interference.
The artist must be like a heart surgeon. He must approach something with sympathy, but with a sort of coldness and work and work until he finds some kind of perfection in his work. You can't have blood splashing all over the place. Things must be done very cleanly.
If I wasn't an actor, I'd be a teacher, a history teacher. After all, teaching is very much like performing. A teacher is an actor, in a way. It takes a great deal to get, and hold, a class.
I would love to work with Johnny Depp. I really admire him as an actor, and personally, in my opinion, his portrayal of Captain Jack Sparrow is one of greatest performances given by an actor. I love his creative sense and the way he creates a character, so it would be a dream come true to work with him.
An actor must interpret life, and in order to do so must be willing to accept all the experiences life has to offer. In fact, he must seek out more of life than life puts at his feet. In the short span of his lifetime, an actor must learn all there is to know, experience all there is to experience, or approach that state as closely as possible. He must be superhuman in his efforts to store away in the core of his subconscious everything that he might be called upon to use in the expression of his art.
I think that any actor - any artist, period - would love to work with an artist like Lee Daniels.
The actor has to develop his body. The actor has to work on his voice. But the most important thing the actor has to work on is his mind.
How should an artist begin to do his work as an artist? I would insist that he begin his work as an artist by setting out to make a work of art.
The main difference between the art of the actor and all other arts is that every other [non-performing] artist may create whenever he is in the mood of inspiration. But the artist of the stage must be the master of his own inspiration, and must know how to call it forth at the hour announced on the posters of the theatre. This is the chief secret of our art.
It is not enough for the teacher to love the child. She must first love and understand the universe. She must prepare herself, and truly work at it.
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