A Quote by Anton Chekhov
To a chemist, nothing on earth is unclean. A writer must be as objective as a chemist; he must abandon the subjective line; he must know that dungheaps play a very respectable part in a landscape, and that evil passions are as inherent in life as good ones.
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Be a physical chemist, an analytical chemist, an organic chemist, if you will; but above all, be a chemist.
I spend five times more money at a chemist shop than I would at a fashion boutique. Clothes shopping is optional for me; shopping at a chemist store is a must.
Then he read the words of the scroll slowly, first in Japanese and then carefully translated into English: 'There is really nothing you must be. And there is nothing you must do. There is really nothing you must have. And there is nothing you must know. There is really nothing you must become. However. It helps to understand that fire burns, and when it rains, the earth gets wet. . . .' 'Whatever, there are consequences. Nobody is exempt,' said the master.
I must confess it was very unexpected and I am very startled at my metamorphosis into a chemist.
Yes, from the time I was in junior high school I decided I wanted to be a chemist. I didn't quite know what a chemist was, but I kept it up and got my Ph.D. in physical chemistry.
The first education to be a good chemist is to do well in high school science courses. Then, you go to college to really become a chemist. You want to take science and math. Those are the main things.
When evil men plot, good men must plan. When evil men burn and bomb, good men must build and bind. When evil men shout ugly words of hatred, good men must commit themselves to the glories of love.
To be a gourmet you must start early, as you must begin riding early to be a good horseman. You must live in France, your father must have been a gourmet. Nothing in life must interest you but your stomach.
It is a law of our humanity, that man must know both good and evil; he must know good through evil. There never was a principle but what triumphed through much evil; no man ever progressed to greatness and goodness but through great mistakes.
Each of our passions, even love, has a stomach that must not be overloaded. We must in everything write the word 'finis' in time; we must restrain ourselves, when it becomes urgent; we must draw the bolt on the appetite, play a fantasia on the violin, then break the strings with our own hand. The Wise man is he who knows when and how to stop.
Subjective reason ... is inclined to abandon the fight with religion by setting up two different brackets, one for science and philosophy, and one for institutionalized mythology, thus recognizing both of them. For the philosophy of objective reason there is no such way out. Since it hold to the concept of objective truth, it must take a positive or a negative stand with regard to the content of established religion.
Nothing can do men of good will more harm than apparent compromises with parties that subscribe to antimoral and antidemocratic and anti-God forces. We must have the courage to detach our support from men who are doing evil. We must bear them no hatred, but we must break with them.
[T]rue socialism must be voluntary - not coerced. Even in the most complete system of society we can conceive the individual must still have rights and property. He must appropriate food to sustain his life. He must wear clothes which are his. He must have his private and exclusive apartment, and must have the right to be in some place on God's earth from which he cannot be evicted by landlord of society.
Just play football. If you are a writer, you must write. It's the best way to practise. If I'm a pianist, I don't need to run in the forest for one hour or two hours to be a good pianist. I must play piano. So this is what we are doing all the time. Play football. Simple ideas.
You must all, somewhere deep in your hearts, believe that you have a special beauty that is like no other and that is so valuable that you must not abandon it. Indeed, you must learn to cherish it.
The camera only facilitates the taking. The photographer must do the giving in order to transform and transcend ordinary reality. The problem is to transform without deforming. He must gain intensity in form and content by bringing a subjective order into an objective chaos.
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