A Quote by Anton Chekhov
When you describe the miserable and unfortunate, and want to make the reader feel pity, try to be somewhat colder - that seems to give a kind of background to another's grief, against which it stands out more clearly. Whereas in your story the characters cry and you sigh. Yes, be more cold. ... The more objective you are, the stronger will be the impression you make.
Related Quotes
When you want to touch the reader's heart, try to be colder. It gives their grief as it were, a background, against which it stands out in greater relief.
I believe that if the story is fleshed out and the characters more believable, the reader is more likely to take the journey with them. In addition, the plot can be more complex. My characters are very real to me, and I want each of my characters to be different.
I've found, as I'm sure you have, that when you're trying to learn from the Lord and you feel an impression from the Spirit, it's important to make a note so it will not be forgotten. The more you not only hear but abide by what you've been told, the more the Lord will give to you. It will come more and more rapidly and you will begin to hear and feel those impressions of the Spirit more quickly than you have previously done.
Be generous! Give to those you love; give to those who love you; give to the fortunate; give to the unfortunate - yes, give especially to those to whom you don't want to give. You will receive abundance for your giving. The more you give, the more you will have!
The more clear and definite you make your picture then,and the more you dwell upon it, bringing out all its delightful details, the stronger your desire will be, and the stronger your desire, the easier it will be to hold your mind fixed upon the picture of what you want.
In times of grief and sorrow I will hold you and rock you, and take your grief and make it my own. When you cry, I cry, and when you hurt, I hurt. And together we will try to hold back the floods to tears and despair and make it through the potholed street of life.
Gettting to know your characters is so much more important than plotting. Working out every detail of your story in advance, especially when you don't yet know your main characters, always seems a little too much like playing God. You're working out your characters' lives, their destiny, before they've had a chance to discover who they are and what kind of people they want to be.
They are more human and more brotherly towards one another, it seems to me, than we are. But perhaps that is merely because they feel themselves to be more unfortunate than us.
A short story is confined to one mood, to which everything in the story pertains. Characters, setting, time, events, are all subject to the mood. And you can try more ephemeral, more fleeting things in a story - you can work more by suggestion - than in a novel. Less is resolved, more is suggested, perhaps.
Life is hard. It’s cruel sometimes. It’s merciless and unfair, but we all go through difficult times, one way or another. You’ve had more than your share of knocks lately, I’ll give you that, but it doesn’t mean you get to quit. No one gets to quit. You keep fighting, every day, and sooner or later, the grief fades a little. You grow stronger, find joy again, and everything gets easier. You come out of it more equipped to handle the next wave, which will come eventually. There will always be waves.
You cannot die of grief, though it feels as if you can. A heart does not actually break, though sometimes your chest aches as if it is breaking. Grief dims with time. It is the way of things. There comes a day when you smile again, and you feel like a traitor. How dare I feel happy. How dare I be glad in a world where my father is no more. And then you cry fresh tears, because you do not miss him as much as you once did, and giving up your grief is another kind of death.
And you who wish to represent by words the form of man and all the aspects of his membrification, relinquish that idea. For the more minutely you describe the more you will confine the mind of the reader, and the more you will keep him from the knowledge of the thing described. And so it is necessary to draw and to describe.
I am not against money - remember. Don't misinterpret me: I am not against money. I am not against anything. Money is a means. If you are happy and you have money, you will become more happy. If you are unhappy and you have money, you will become more unhappy because what will you do with your money? Your money will enhance your pattern, whatsoever it is. If you are miserable and you have power, what will you do with your power? You will poison yourself more with your power, you will become more miserable.
I could have a one-night stand, and I'm the kind of girl who looks over in the morning and is like, Do you really have to be here? I don't need to cuddle and do all that stuff because I know what it is and I don't try to make it more. I feel like a lot of women try to make it into more, so they don't feel so bad about just wanting to have sex.
I hate being too serious about anything. If I'm with my friend, I want to be having fun with him or her. And if anybody is reading my story, I want them to be not only reading the story, but I want them to feel they're having fun; that they're enjoying it. So any way you can make it more informal, more fun-filled, more amusing - instead of just a dry story that goes on and on - if there's any way to do that, I like to try and do it.
Do not tell everyone your story. You will only end up feeling more rejected. People cannot give you what you long for in your heart. The more you expect from people's response to your experience of abandonment, the more you will feel exposed to ridicule.
Related Authors
Alan Bennett Quotes
English
Dramatist
Alexandre Dumas Quotes
French
Dramatist
David Mamet Quotes
American
Dramatist
Edward Albee Quotes
American
Dramatist
Eugene Ionesco Quotes
French
Dramatist
Friedrich Schiller Quotes
German
Dramatist
Harold Pinter Quotes
English
Dramatist
Jean Racine Quotes
French
Dramatist
John Heywood Quotes
English
Dramatist
Jules Renard Quotes
French
Dramatist
Lillian Hellman Quotes
American
Dramatist
Pierre Corneille Quotes
French
Dramatist
Tennessee Williams Quotes
American
Dramatist
Tom Stoppard Quotes
English
Dramatist
W. S. Gilbert Quotes
English
Dramatist
Zora Neale Hurston Quotes
American
Dramatist