A Quote by Anton Chekhov

In Western Europe people perish from the congestion and stifling closeness, but with us it is from the spaciousness.... The expanses are so great that the little man hasn't the resources to orient himself.... This is what I think about Russian suicides.
The Orient that appears in Orientalism, then, is a system of representations framed by a whole set of forces that brought the Orient into Western learning, Western consciousness, and later, Western empire.... The Orient is the stage on which the whole East is confined. On this stage will appear the figures whose role it is to represent the larger whole from which they emenate. The Orient then seems to be, not an unlimited extension beyond the familiar European world, but rather a closed field, a theatrical stage affixed to Europe.
The Orient and Islam have a kind of extrareal, phenomenologically reduced status that puts them out of reach of everyone except the Western expert. From the beginning of Western speculation about the Orient, the one thing th orient could not do was to represent itself. Evidence of the Orient was credible only after it had passed through and been made firm by the refining fire of the Orientalist’s work.
The problem is Russia is a country that has lost 300 years of its history, in terms of most of what was part of the Russian Empire in Europe, towards Europe, since Peter the Great, has been the territory that is no longer under Russian rule.
To most people in the UK, indeed throughout Western Europe, space exploration is primarily perceived as 'what NASA does'. This perception is - in many respects - a valid one. Superpower rivalry during the Cold War ramped up US and Soviet space efforts to a scale that Western Europe had no motive to match.
Vladimir Putin is a Russian czar. He's kind of a mix of Peter the Great and Stalin. He's got both in his veins. And he looks out first and foremost for the national security interests of Russia. He accepts that, in Eastern Europe, that is a Russian backyard, that is a Russian sphere of influence. Ukraine lives most uncomfortably and unhappily in a Russian backyard.
Oriental reality is called ideology in Europe and America, and Western ideology is called reality in the Orient. Those viewpoints eat into people's souls and form two distinct kinds of beings.
I think that in this globalised world, the local is going to become more and more important - it is a paradox. You see it in Western Europe more and more. Eastern Europe is still coming out of the Soviet uniform cultural era, but this kind of separation and nationalism is very obvious now in Western Europe.
Orientalism can be discussed and analyzed as the corporate institution for dealing with the Orient—dealing with it by making statements about it, authorizing views of it, describing it, by teaching it, settling it, ruling over it: in short, Orientalism as a Western style for dominating, restructuring, and having authority over the Orient.
I think often people know about Rasputin in Russian history - but know only a little bit. He's an interesting man, who in general I think meant well.
When a man begins to know himself a little he will see in himself many things that are bound to horrify him. So long as a man is not horrified at himself he knows nothing about himself.
Europe is a molehill. All great empires and revolutions have been on the Orient; six hundred millions live there.
Westerns. A period gone by, the pioneer, the loner operating by himself, without benefit of society. It usually has something to do with some sort of vengeance; he takes care of the vengeance himself, doesn't call the police. Like Robin Hood. It's the last masculine frontier. Romantic myth. I guess, though it's hard to think about anything romantic today. In a Western you can think, Jesus, there was a time when man was alone, on horseback, out there where man hasn't spoiled the land yet.
The study of thinking machines teaches us more about the brain than we can learn by introspective methods. Western man is externalizing himself in the form of gadgets.
I don't want to be hubristic about art's possibilities. I don't think that art has a causal relationship to revolution. I do think it's a way people coordinate or orient their own often-inchoate experiences, sometimes willfully. With "The Masque of Anarchy," one of the things I note is that many political movements over time have made use of it as a way to orient themselves and to narrate what they were doing.
We have huge holes in our education in the West. I think that we have little knowledge of Asian history. If you ask a well-educated, modern Western person about World War II, most will think that the theatre of war was only in Europe. But it's known that the Pacific War was going on concurrently, and we don't know anything about it.
I think Russian people are learning that democracy is not an alien thing; it's not a western invention.
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