A Quote by Anton Chekhov
If there's a gun on the wall in act one, scene one, you must fire the gun by act three, scene two. If you fire a gun in act three, scene two, you must see the gun on the wall in act one, scene one.
Related Quotes
If there is a gun hanging on the wall in the first act, it must fire in the last.
What can you do? More and more Americans are carrying a gun in the car. An ex-cop I know advises that if you have to use a gun on a youth, you should leave the scene immediately, disposing of the wiped off gun as soon as possible. Such a gun cannot, of course, be registered to you, but one bought privately (through the classifieds, for example.)
I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.
Why does a woman carry a gun? Because, under our system, every citizen has the latitude to act in the absence of police; the latitude to act reasonably, to act immediately, to act in defense of self, to act in defense of another, to act with lethal force, to act with her acquired training and to act not in anger but to respond in purpose. To exercise the protections of that latitude in public policy, public interest and practical safety, all that is demanded of her is that she act reasonably under the circumstances.
On the wall of our life together hung a gun waiting to be fired in the final act.
If you get to the point in your career where you're running with a gun - I've yet to run with a gun. I've stood still with a gun, and I've walked with a gun, but I've never run with a gun. Running with a gun, to me, that's when you know you've really made it.
My first experience in a movie theater was Dick Tracy. There was a scene with a guy with a Tommy gun and a wall of fire behind him. I panicked, screamed, and jumped out of my seat. And I ran six New York city blocks, running into the street and almost got hit by a bunch of cars and had my mom chasing after a panic-stricken four-year-old.
The gun dealer is not only paying these two police officers, but more importantly, the gun dealer has said he will never again sell more than one gun to a customer. This is exactly what we're trying to get the gun industry across the country to do.
I remember watching Meryl Streep in, The River Wild. There's this scene where she's has a gun pointed at her, it's absurd in a lot of ways. Someone pulls a gun on her I think, I'm not really fully aware of the scene and she just, she starts, you see her terrified. And then all of a sudden she starts to burst out laughing. She starts laughing. Like she can't stop laughing. Because she's terrified and she's emotional and there are no rules to what you're supposed to feel. That to me is like A number one, that's the thing I have to remind myself all the time.
If in the first act you introduce a gun, by the third act you have to use it.
You are preparing yourself for a scene, and the most important thing is to remain emotionally available and remain in the moment with your scene partner. You don't want to let your own self-consciousness block the flow of creativity that's coming out so that you can act and react, and play what the scene is all about.
When you act a scene with Sidney Poitier, he listens intently to every word you say. You can feel your words hit him. He makes the scene utterly real.
We must band together to call for gun-control legislation. We must act in ways that promote the dignity and value of human life.
In theory, if a gun is left at the scene of a crime, licensing and registration will allow a gun to be traced back to its owner. But, amazingly, despite police spending tens of thousands of man-hours administering these laws ... there is not even a single case where the laws have been instrumental in identifying someone who has committed a crime.
You always hear actresses talk about how unromantic it is to act a love scene or a sex scene - which it is. You're doing it with all these lights on and cameras flying around and people on the set.
Pulling a gun's trigger can be an appalling act. But if it is suicidal drawing fire to save someone, it has an utterly different meaning. Placing your hand on someone's arm can be an act of deep compassion or the first step of betrayal. The punch line? It's all about context, and the biology of context is vastly more complicated than the biology of the behavior itself.
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