A Quote by Anton Chekhov

One must not put a loaded rifle on the stage if no one is thinking of firing it. — © Anton Chekhov
One must not put a loaded rifle on the stage if no one is thinking of firing it.
One must never place a loaded rifle on the stage if it isn't going to go off. It's wrong to make promises you don't mean to keep.
The purest surrealist act is walking into a crowd with a loaded gun and firing into it randomly
The sling is to a rifle what the holster is to a pistol. If you have a sling, chances are you will keep the rifle with you. If there is no sling present, you will set the rifle down. When you are at the absolutely farthest point away from the rifle that you can possibly get, you'll need it.
A story: A man fires a rifle for many years, and he goes to war. And afterward he turns the rifle in at the armory, and he believes he’s finished with the rifle. But no matter what else he might do with his hands, love a woman, build a house, change his son’s diaper; his hands remember the rifle.
As a revolutionary people, we Americans won a probable victory over the best and biggest army in the world because we learned to fight from the Indians. You can do a lot of damage with a Kentucky rifle from behind a tree. You don't put on a peaked hat and a red coat and white leggings and crossed white bandoleers with a big silver buckle in the center of the X and march uphill into a line of Howitzers loaded with chain and chopped horseshoes.
When I'm not completely loaded, it's a much more vulnerable place. I can feel the music, I can feel the energy and I really have to put it out there. When I was loaded, I was just oblivious.
In Arizona, anyone over 18 can buy an assault rifle, at 21 you can get a pistol, and you can carry your gun, loaded or unloaded, concealed or openly, just about anywhere.
Hamas is firing at our cities, at our people, firing from these areas, from these homes, from these schools, from mosques, from hospitals. They are actually using them as weapon storage, as command posts and as firing positions, or right next to them.
If you have a dog, I must have a dog. If you have a rifle, I must have a rifle. If you have a club, I must have a club. This is equality.
Personal weapons are what raised mankind out of the mud, and the rifle is the queen of personal weapons.... Pick up a rifle - a really good rifle - and if you know how to use it well, you change instantly from a mouse to a man, from a peon to a caballero, and - most significantly - from a subject to a citizen.
I am sometimes perplexed by people who refer to defensive rifles, or defensive rifle shooting. The defensive arm is the pistol, since you have it at hand to meet situations that you do not anticipate. If you have the luxury of anticipating a lethal encounter, you pick up a long arm, either a rifle or a shotgun, but in that case you go on to the attack. Thus rifle shooting is offensive, and pistol shooting is defensive. Of course, life does not always duplicate theory, and there are exceptions to everything, but nevertheless the rifle is not a defensive weapon in concept.
There is no gaming table in the world where loaded dice are tolerated, no athletic field where men must not start fair. Yet Mr. Rockefeller has systematically played with loaded dice, and it is doubtful if there has ever been a time since 1872 when he has run a race with a competitor and started fair.
The whole famous Reign of Terror [of the 1790s] in fifteen months guillotined 2,596 aristos. The Versaillists [the anti-Communards of 1871] executed 20,000 before their firing squads in one week. Do these figures represent the comparative efficiency of guillotine and modern rifle or the comparative cruelty of upper and lower class mobs?
I never think about actual things when I'm painting. I'm not thinking, "I'm going to put a person here, a tree here and a bird there." The beginning stage is always the sound. From that, slowly, stories come about based on what I'm reading or thinking at the time, but if I didn't have that sound I don't know what I would do.
I can't imagine doing anything cooler or better than what we did on 'The Stage' and felt like we're firing on all cylinders.
Where I teach students in drama school, there's a course called Dramatics. In this course, all students must put on a play. However, acting majors are not supposed to act. They can write the play, for example, and the writers may work on stage art. Likewise, stage art majors may become actors, and in this way you put on a show.
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