A Quote by Anton Chekhov

Never bring a cannon on stage in Act I unless you intend to fire it by the last act. — © Anton Chekhov
Never bring a cannon on stage in Act I unless you intend to fire it by the last act.
I enjoy a third act, and I like stories with ending. A lot of my frustration with serialized storytelling is a lot of shows don't have a third act. They have an endless second act, and then they find out it's their last year and often have to hustle to invent a third act, but they were never necessarily organically meaning to begin with.
Making dances is an act of progress; it is an act of growth, an act of music, an act of teaching, an act of celebration, an act of joy.
I throw dignity out the window, and just become a creature of the moment on the stage. I act like I'd never act in real life.
A goal is not the same as a desire, and this is an important distinction to make. You can have a desire you don't intend to act on. But you can't have a goal you don't intend to act on.
Why does a woman carry a gun? Because, under our system, every citizen has the latitude to act in the absence of police; the latitude to act reasonably, to act immediately, to act in defense of self, to act in defense of another, to act with lethal force, to act with her acquired training and to act not in anger but to respond in purpose. To exercise the protections of that latitude in public policy, public interest and practical safety, all that is demanded of her is that she act reasonably under the circumstances.
People do complain about the way I act on stage... They think on stage I act too arrogant, too self-obsessed, solecistic, self-contained, synonyms.
If there is a gun hanging on the wall in the first act, it must fire in the last.
We all agree that we've got to bring these terrorists to justice and to make sure that they're never allowed to perpetrate such an evil act as they did. And so all of us are dealing with that. We know that the President has the authority to go to war under the War Powers Act.
I'm growing up in Detroit, Michigan, both of my parents were gun owners, and that they taught us how to safely and carefully utilize them, because we had businesses, and they showed us out of a sense of protection. But that was something that was used to never use a gun unless you intend - never play with a gun unless you use it to intend - intend to use it. But it was for protection only.
There's just something about being on stage and being with the people that, once that camera turns on, you find the strength to keep it cool, look good, act like you're not cold, act like you ain't nervous, act like you aren't scared. I think that comes with confidence and practice.
Why, except as a means of livelihood, a man should desire to act on the stage when he has the whole world to act in, is not clear to me.
The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It's like a prizefight. You get punched.
A perfect writer would make words sing, dance, kiss, do the male and female act, bear children, weep, bleed, rage, stab, steal, fire cannon, steer ships, sack cities, charge with cavalry or infantry, or do anything that man or woman or the natural powers can do.
. . . until the curtain was rung down on the last act of the drama (and it might have no last act!) he wished the intellectual cripples and the moral hunchbacks not to be jeered at; perhaps they might turn out to be the heroes of the play.
O for a Muse of fire, that would ascend The brightest heaven of invention, A kingdom for a stage, princes to act And monarchs to behold the swelling scene!
You know, we have a fiscal train wreck before us. And unless we act, and act deliberately, we're not going to enable our kids to have what we have. It's plain and simple as that.
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