A Quote by Anton Seidl

Composers are not all good conductors. — © Anton Seidl
Composers are not all good conductors.
I was starting a group of musicians and we had a group of young composers in Finland back in the '70s, and the real conductors, the professional conductors at the time were not interested in our stuff.
Good conductors know when to push and when to lay back. I've known so many great conductors that I'm still doing what I can to learn the craft of this role.
The composers could no longer direct all performances in person, and so the responsibility of interpreting their works in the spirit in which they had been conceived was placed upon conductors.
The (photographic) negative is the equivalent of the composers score and the print is the equivalent of the conductors performance.
I look at composers and conductors, anybody involved in music or writing or art in general; they got more done as they got older. If I can, I'll be one of those people because what I do is my passion.
I can count on one hand the number of conductors-composers-arrangers that I enjoy working with, and at the top of that list is Mack Wilberg. I feel like I've known Mack forever. I'm just nuts for him.
Few of us boggle - though we should - at the fact that Louis Armstrong sang and played trumpet with similar panache, or that Leonard Bernstein and Benjamin Britten were equally adept as composers, conductors and pianists.
There are two types of conductors. One is the good conductor who can do passionate music but also listen to the singers and do the orchestra. And then there are great conductors, who have their own opinion on the music, who are ruling everything - and not listening much to the singers, but the orchestra play amazingly.
Conductors make too much fuss about conductors! Humility and hard work are virtues. We're nothing without our musicians.
I've got a collection of songs that I've had, I keep adding to and they're all great American composers. I wanted to showcase American composers and I've done that on a lot of my records and played things by American composers that I really respect.
When I am with composers, I say I am a conductor. When I am with conductors, I say I am a composer.
Many, many years ago, I was one of the few conductors who talked to the audience and now a lot of classical conductors have figured it out... otherwise, you just get the back of someone's head playing music you could hear on a CD. It's not enough anymore.
They gave me four weeks, and I asked if the first week could be just music with the two main conductors. So, the conductors came over to my home, and we worked in the music room, and I learned my two little songs.
Conductors start getting good when everybody else retires.
Composers dialogue - and obsessively, bitterly argue - with other composers, often over the span of several centuries.
Communists love to make films about composers, because composers compose music and don't talk subversive things.
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