A Quote by Anton Seidl

I learned, too, how it was possible with the help of the picture and action to transform an apparently insignificant violin passage into an incident, and to lift a simple horn call into a thing of stupendous significance by means of scenic emphasis.
In naturalism, man is actually very insignificant, but arrogates to himself stupendous power. In Christianity, man is actually the apex of created significance, but is called to see it in abject humility.
I learned the significance of my own insignificant life.
We have this window of opportunity; we have a chance to make something real happen. Something possible happen, to live beyond our fear, think about that, and help us. Help lift us up, help us fight this fight to change, - transform - this country in a fundamental way. This chance won't come around again.
he could transform the barest incident into a thing of curve and contour.
I always think of a voice as an instrument, whether a voice is a trumpet, or violin, or bass. You know what I mean? A horn or wind instrument versus a string instrument. Horn instruments are definitely more toward jazz.
The horn, the horn, the lusty horn Is not a thing to laugh to scorn.
The Christian, the Mohammedan, the Jew - their emphasis is on the second: to die as soon as possible, to surrender to God. Prayer is their way. Prayer means dying, dying and disappearing as a person, becoming part of the universal, a surrender, a trust in God. The whole emphasis is on how to surrender your ego, sacrifice your ego, at the altar of the divine.
Our Heavenly Father is aware of our needs and will help us as we call upon Him for assistance. I believe that no concern of ours is too small or insignificant. The Lord is in the details of our lives.
In the years ahead of me, I learned that the world is actually filled with people ready to tell you how likely something is, and what it means to be realistic. But what I have also learned is that no one, no one truly knows what is possible until they go and do it.
I believe there need to be women visual in our every day landscape, working hard and doing their own thing, whether you like it or not, whether it's acceptable or not...I especially hope to inspire young women because often I feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change that, change the emphasis of what's important when looking at a woman.
Far too often, those living with abuse do feel there is no one to help. I have learned how vital it is to spread the word about the help that is available.
People ask, 'Should I call you Sir Hopkins?' But I say, 'No. Call me Tony,' because it's too much of a lift-up.
But over the years, I've learned not to believe too much in luck or accidents; T think everything happens for a reason. There's something to be learned from every moment, every experience we encounter during the brief time we spend on this planet. Call it fate, call it destiny, call it what you will; it really doesn't matter.
Another thing that I don't like to do is show too much how it goes. I do it once in a blue moon. Sometimes there are lessons when I don't pick up a violin at all.
The composer Stravinsky had written a new piece with a difficult violin passage. After it had been in rehearsal for several weeks, the solo violinist came to Stravinsky and said he was sorry, he had tried his best, the passage was too difficult, no violinist could play it. Stravinsky said, 'I understand that. What I am after is the sound of someone trying to play it.'
I have a longing for violin or organ. Is it too simple to say those sustaining sounds symbolise immortality?
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