A Quote by Anton Szandor LaVey

The ecclesiastical description of Hell is that of a horrible place of fire and torment; in Dante's Inferno, and in northern climes, it was thought to be an icy cold region, a giant refrigerator.
My hell is going to be the stairmaster wing of Dante's inferno, where they're gonna tape my feet to the pedals and the only music I get is Michael Bolton karaoke style.
Although I studied Dante's Inferno as a student, it wasn't until recently, while researching in Florence, that I came to appreciate the enduring influence of Dante's work on the modern world.
If you look at any religious description of hell, it is the same as human society, the way we dream. Hell is a place of suffering, a place of fear, a place of war and violence, a place of judgment and no justice, a place of punishment that never ends.
The icy cold will cut us like a knife in the darkAnd we may lose everything in the windBut the Northern Lights are burningAnd they're giving off sparks.
Dante would not have forgotten: they say that when Dante was a boy, he was asked: Dante what is the best food? to test his memory. Eggs, replied Dante. Years later, when Dante was a grown man, he was asked only: how? and Dante replied: fried.
The ninth, the worst circle of the Inferno - Dante intended it for traitors.
The inferno of the living is not something that will be; if there is one, it is what is already here, the inferno where we live every day, that we form by being together. There are two ways to escape suffering it. The first is easy for many: accept the inferno and become such a part of it that you can no longer see it. The second is risky and demands constant vigilance and apprehension: seek and learn to recognize who and what, in the midst of inferno, are not inferno, then make them endure, give them space.
when ... I've thought of madness, it seems most easily explained to me as poetry in action. A life of symbol rather than reality. On paper one can understand Gulliver, or Kafka, or Dante. But let a man go about behaving as if he were a giant or a midget, or caught in a cosmic plot directed at himself, or in heaven or hell, and we feel horror - we want to disavow him to proclaim him as far removed as possible from ourselves.
Dante.Oh,Dante.Seal me!Seal me so hard!.He grabs my hips andpumps his toward mine.Oh,Dante! You're so hot when you seal souls.I shove my idiot-of-a-best-friend off me and laugh.What the hell was that? I ask.My new move.
I disconnected as a sleepy Seth stepped out of the bedroom. “Who’s Dante? Was that a collect call to the Inferno?” “They won’t accept the charges,” I murmured.
If there be devils, would I were a devil, To live and burn in everlasting fire, So I might have your company in hell, But to torment you with my bitter tongue!
Thus Dante's motto over Inferno applies with equal force to marriage: "Ye who enter here leave all hope behind.
Those who are not Christians go to a place of suffering and torment called hell.
In a way, that's also a recognition that Dante needs Virgil and that the Inferno needs the Aeneid and that the epic needs a model and that for Dante to write this great poem he needs someone to come before him and he turns to Virgil's text, especially book six where Aeneas goes down into the underworld. And for me, that's a model of the poet's relationship to previous poetry, to another poetry as calling out for guidance.
A great model for this is the way that Dante calls on Virgil at the beginning of 'The Inferno,' 'The Divine Comedy,' to help guide him through the underworld.
Of all the inhabitants of the inferno, none but Lucifer knows that hell is hell, and the secret function of purgatory is to make of heaven an effective reality.
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