A Quote by Anton Webern
Indeed, man only exists insofar as he expresses himself. Music does it in musical ideas.
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Nowadays, all students have access to and indeed most own computers and are comfortable with the software used to compose music. There are probably too many musical options for them now and the trick is to limit the number of musical ideas so as to develop structure and continuity in their work.
A man who has never lost himself in a cause bigger than himself has missed one of life's mountaintop experiences. Only in losing himself does he find himself. Only then does he discover all the latent strengths he never knew he had and which otherwise would have remained dormant.
Leaving the complications of the human breakfast-table out of account, in an elemental sense, the egg only exists to produce the chicken. But the chicken does not exist only in order to produce another egg. He may also exist to amuse himself, to praise God, and even to suggest ideas to a French dramatist. Being a conscious life, he is, or may be, valuable in himself.
No two men see the world exactly alike, and different temperaments will apply in different ways a principle that they both acknowledge. The same man will, indeed, often see and judge the same things differently on different occasions: early convictions must give way to more mature ones. Nevertheless, may not the opinions that a man holds and expresses withstand all trials, if he only remains true to himself and others?
What is meant here by saying that existence precedes essence? It means first of all, man exists, turns up, appears on the scene, and, only afterwards, defines himself. If man, as the existentialist conceives him, is indefinable, it is because at first he is nothing. Only afterward will he be something, and he himself will have made what he will be.
A man who listens because he has nothing to say can hardly be a source of inspiration. The only listening that counts is that of the talker who alternately absorbs and expresses ideas.
Feelings dwell in man; but man dwells in his love. That is no metaphor, but the actual truth. Love does not cling to the I in such a way as to have the Thou only for its " content," its object; but love is between I and Thou. The man who does not know this, with his very being know this, does not know love; even though he ascribes to it the feelings he lives through, experiences, enjoys, and expresses.
One of the major aspects of film composing is that it's not so much a musical thing as it is communicating your ideas with the director, who often does not come from a musical background.
How can one express the indefinable sensations that one experiences while writing an instrumental composition that has no definite subject? It is a purely lyrical process. It is a musical confession of the soul, which unburdens itself through sounds just as a lyric poet expresses himself through poetry...As the poet Heine said, 'Where words leave off, music begins.'
The world is... the natural setting of, and field for, all my thoughts and all my explicit perceptions. Truth does not inhabit only the inner man, or more accurately, there is no inner man, man is in the world, and only in the world does he know himself.
Man does not only sell commodities, he sells himself and feels himself to be a commodity.
Man exists, turns up, appears on the scene and only afterwards, defines himself
By a lie a man throws away and, as it were, annihilates his dignity as a man. A man who himself does not believe what he tells another ... has even less worth than if he were a mere thing. ... makes himself a mere deceptive appearance of man, not man himself.
As regards the presentation of musical ideas, obviously rules of order soon appeared. Such rules of order have existed since music has existed and since musical ideas have been presented... So we shall try to put our finger on the laws that must be at the bottom of this.
Throughout the centuries, man has considered himself beautiful. I rather suppose that man only believes in his own beauty out of pride; that he is not really beautiful and he suspects this himself; for why does he look on the face of his fellow-man with such scorn?
Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does-humans are a musical species.
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