A Quote by Anton Yelchin

One of my favorite vampire movies is 'Nosferatu,' which has a palpable sense of dread that's a pre-war dread. — © Anton Yelchin
One of my favorite vampire movies is 'Nosferatu,' which has a palpable sense of dread that's a pre-war dread.
Dread is a womanish debility in which freedom swoons. Psychologically speaking, the fall into sin always occurs in impotence. But dread is at the same time the most egotistic thing.
Sometimes I dread the truth of the lines I say. But the dread must never show.
By sort of combining the research of a lot of smart people, I came up with an equation for dread [dread=uncontrollability+unfamiliarity+imaginability+suffering+scale of destruction+unfairness]. The dread equation is a simplification, but it's a way to explain why we fear something so much when it is so unlikely. Part of it is the lack of control. That's why we're more scared of plane crashes than car crashes even though we know rationally which is more dangerous.
The dread was built into the 2016 election - a little spoonful of dread.
When people do not dread authorities, then a greater dread descends.
Love and Dread are brethren, and they are rooted in us by the Goodness of our Maker, and they shall never be taken from us without end. We have of nature to love and we have of grace to love: and we have of nature to dread and we have of grace to dread.
Time is my enemy. Time will catch up with me vocally. And I dread that. I dread to think about life without singing.
Must one dread what others dread?
The evil genius of terrorism is that that maximizes unfamiliarity, imaginability, suffering, scale of destruction, unfairness. It's really important to understand why terrorism is so frightening because it is a psychological war and until you understand it and try to reduce the dread, until then you become like a force multiplier for the terrorists inadvertently because you'll tend to overreact to terrorist attacks because the dread factor is so high.
I remember being a kid and sleeping over at my friend's house and staying up late and watching 'Nosferatu.' Vampire movies are supposed to be secret and bad. They should be rated R.
I do think that dread is about a certain kind of expectation. And the fact that a picture can never resolve itself the way a movie can - maybe that's a specific kind of dread that becomes associated with a picture.
Yes, I saw Twilight - my granddaughter made me watch it, she said it was the greatest vampire film ever. After the 'film' was over I wanted to smack her across her head with my shoe, but I do not want a (tell-all) book called Grannie Dearest written on me when I die. So instead I gave her a DVD of Murnau's 1922 masterpiece Nosferatu and told her, 'Now that's a vampire film!' And that goes for all of you! Watch Nosferatu instead!
It's hard for me, a Jew, to stay in the moment. Without the past, where is the guilt? And without the future, where is the dread? And without guilt and dread, who am I?
Interview With a Vampire' is one of my favorite movies of all time. 'Queen of the Damned,' not so much one of my favorite movies, but it's one of the best soundtracks of all time.
There often is a dark secret in books... There is often a gathering sense of dread; there's a gap sometimes in the text from which all kinds of monsters can emerge.
Actors dread working with studios because they dictate what you do in a way that independent movies can't.
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