A Quote by Anton Yelchin
Communism destroyed so many generations. I look at my grandparents and their generation, and it's as if their lives were taken from them. It's really sad and frightening that something like that could have happened. But I don't really think of myself as Russian anymore. I didn't even live there for that long.
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I really look to past generations. I think my grandparents, friends' grandparents, or even parents of my older friends grew up in a time when they used everything. There was a more mindful way of moving through life. You didn't waste.
As far as actually setting up colonies of people who would live their whole lives in space, I think we're a long ways from doing that yet, and I think we have many, many decades before we could be able to even consider something like that.
For many years, I picked the wrong men, or they picked me. I think if you don't feel attractive or worth something as a woman, you attract men who don't really look after you. That's what happened to me, but I realise that those relationships were like a journey, helping me to learn something about myself.
Haiti, if you've ever met a Haitian person, they are just really positive, and literally, if you're friends with them, then they will do anything for you. So I think that's something that is, like, a really good trait, and I'm really happy that my grandparents and my dad's side of the family is like that.
People don't really care about lyrics anymore. It's kinda really sad, like they'll listen to something musically and has a really cool beat down or something, that's great, that's good enough; but the message is the most important thing.
For two generations up through the mid-1980s, many thought we were losing the Cold War, even in early 1989, few believed that Poland`s solidarity movement could win, that the Iron Curtain would come down, that the Baltic states could be free, that the second of the 20th century`s great evils, communism, could be vanquished without war, but it happened and the West`s great institutions, NATO and the E.U., grew to embrace 100 million liberated Europeans.
I don't call my music 'gangsta rap.' I call my music reality, something that really happened, something that has really happened, something that will really happen, something that could really happen. It ain't nothing that I'm making up; I think that's why people listen to it.
Don't try to buy art as an investment. Buy something you really love because you're going to have to look at it again tomorrow. And an investment can go up or down. Buy something you really adore, you really like, and you want to live with. And if you decide some years later you don't want to live with it anymore, sell it. Get out.
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I grew up under Communism so we could only learn Russian, and then when Communism fell in 1989 we could learn a few more things and have the freedom to travel and the freedom of speech - and the freedom of dreaming, really.
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I've always been so interested in personal history. I'm very fascinated by my parents' and my grandparents' generations. I seem to think that they had a resilience and an integrity that may be somewhat deficient in my own generation, and in subsequent generations as well, because America has been rather easy to live in since the Depression.
I would almost consider myself a canonical child of Generation X... because I think there is an ethic and aesthetic that goes along with that generation, it may have something to do with the fact that "Never Mind the Bollocks" was released when we were 16-years-old and that was really the album that crystalized a generation.
I don't even look at resumes anymore. I think they're misguided. I talk to them, ask them where they've been, "What's your favorite experience in a restaurant?" Where do they like to eat? Blah blah blah. All that stuff, but I can only really describe my journey with another person if I can connect with them and their passion. Otherwise, I don't care where they've worked. It doesn't matter to me. Really I have to feel it, and then I can teach them anything.
If you have to be frightening, you need some actors around you to be really frightened. And if they're not frightened, you're not so frightening anymore. In the same way, people say, 'I think you come in, and you're really sexy'. But how do you play sexy? It depends on the eyes that are looking.
I don't even know if I ever knew - some sweatshop in Baltimore. I knew with my other relatives - some of the women were in the International Ladies' Garment Workers' Union and men were shop boys and things like that. I happened to be in Philadelphia, but the family was in New York. I could see what the union was doing for them.It really saved their lives.
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