A Quote by Antoni Porowski

Since puberty, I've always known there was a possibility of me being with a man. It wasn't anything I felt the need to explore until the time came to explore it. — © Antoni Porowski
Since puberty, I've always known there was a possibility of me being with a man. It wasn't anything I felt the need to explore until the time came to explore it.
For me, acting was always a way to explore emotions - to dip into the well and really try to reach rock bottom down there. That was the most exciting part of it. I hadn't found anything that really allowed me to do that until I came upon acting.
Being on a movie set when you have a great strong people there supporting you can be very nurturing. You get to explore these creative parts of yourself as a child that most people don't explore until they're in college.
We need to explore our own deserts and land, which need to be healed and managed on the planet itself. It is not the time to use and throw this planet and we need to explore deep within more than without. Space exploration should be used to quench human thirst.
The history of exploration across nations and across time is not one where nations said, 'Let's explore because it's fun.' It was, 'Let's explore so that we can claim lands for our country, so that we can open up new trade routes; let's explore so we can become more powerful.'
Having walked on the Moon, I know something about what we need to explore, really explore, in space.
I usually have to find something where I go, "I have to do this." Sometimes you don't even know what the question you're trying to answer is, but you go, "This is something I need to explore and want to explore, and it's inside me in a way that I think I can do a good job with."
That's part of the beauty of being an actress: you get to explore different facets of what it is to be a human being and what it is to explore different personalities, and actually, that's one of the things I love about it.
When you read a fantasy novel part of the fun is getting to explore a new world. Everyone knows that. But I believe the same is true about characters. You can explore interesting people in the same way that you explore a town or a culture.
Speaking for myself, my very integrity as a human being needs to include my freedom to explore who I am both spiritually and sexually. Not just to explore - but to practice.
We're living history all the time, in the papers, in the news, you think about stuff and it goes into your brain and you think about it and it comes out somehow. You have an idea; you've heard a phrase, or you're angry, or something disturbs you, or something seems paradoxical to you, you explore that idea, much like a writer would explore maybe an idea through metaphor. Maybe artists use their vehicle to explore ideas, so I think the things that interest me are the kind of idea of continuous change and how nothing stays the same and it's always disintegrating into something more.
I think what we (as a society) need from artists of all kinds is courage, a willingness to explore, and a really big sense of possibility.
I want to explore a new place each year, and it can be within India. When I was shooting for 'Mohenjo Daro', I couldn't travel out of the country for two years. But it gave me an opportunity to explore new places within India. I'm sure there are so many places to explore in India, and I would love to go there.
Stories, as we're taught in journalism school early on, are told through people. Those stories make our documentaries powerful. You can explore someone's culture, you can explore their experience, you can explore an issue through human beings who are going through it.
When I was a child, I wanted to... go into space! To go to Mars. I wanted to explore and explore and explore. I wanted to go to the Lost World in South America - I was heartbroken to discover there were no dinosaurs; I still don't accept it.
You're mind is working at its best when you're being paranoid. You explore every avenue and possibility of your situation at high speed with total clarity.
Typically to get toward a productive outcome in negotiation you have to make the initial move of genuinely exploring someone's model. If you don't, it is unlikely that they will be willing to explore yours. And if you genuinely explore and understand theirs - without judging it - they will be willing to explore yours. Once they reach that point, they are primed to explore the productive combination of both models and won't be as obsessed about trying to make sure their model prevails.
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