A Quote by Antoni Tapies
If one draws things in a manner which provides only the barest clue to their meaning, the viewer is forced to fill in the gaps by using his own imagination. He is compelled to participate in the creative act, which I consider very important.
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The context in which a photograph is seen affects the meaning the viewer draws from it.
I always say that photography's closest cousin is poetry because of the way it sparks your imagination and leaves gaps for the viewer to fill in.
For me, it is about using everything that is there and using the gaps in the record, figuring out why the gaps might be there. And then when you move on to the level of what historians said, laying the interpretations side by side. You also have to look back at the documents and make your own judgments. What the record says and what people say about it. A novelist can fill the gaps in a way that a biographer cannot.
Everything is only for a day, both that which remembers and that which is remembered. Observe constantly that all things take place by change, and accustom thyself to consider that the nature of the Universe loves nothing so much as to change the things which are and to make new things like them. For everything that exists is in a manner the seed of that which will be.
Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There's no such thing, really, as a creative act in a vacuum.
The historian has before him a jigsaw puzzle from which many pieces have disappeared. These gaps can be filled only by his imagination.
Conversation as talent exists only in France. In other countries, conversation provides politeness, discussion, and friendship; in France, it is an art for which imagination and soul are certainly very welcome, but which can also provide its own secret remedies to compensate you for the absence of either or both, if you so desire.
There are no unnatural or supernatural phenomenon, only very large gaps in our knowledge of what is natural... we should strive to fill those gaps of ignorance.
With only one life to live we can't afford to live it only for itself. Somehow we must each for himself, find the way in which we can make our individual lives fit into the pattern of all the lives which surround it. We must establish our own relationships to the whole. And each must do it in his own way, using his own talents, relying on his own integrity and strength, climbing his own road to his own summit.
Your busy schedule has plenty of quantity. Think of how you could give it some true quality and meaning. Consider the people, the beliefs, the goals, the things which are really imp9ortant to you. Make time for them, not someday, but right now. Don't just fill your schedule. Fill your life.
I believe art is utterly important. It is one of the things that could save us. We don't have to rely totally on experience if we can do things in our imagination.... It's the only way in which you can live more lives than your own. You can escape your own time, your own sensibility, your own narrowness of vision.
Art is a creative effort of which the wellsprings lie in the spirit, and which brings us at once the most intimate self of the artist and the secret concurrences which he has perceived in things by means of a vision or intuition all his own, and not to be expressed in ideas and in words-expressible only in the work of art.
The gaps in power, the gaps in wealth, the gaps in ideology which hold the nations apart also make up the abyss into which mankind can fall to annihilation.
Man is more than his environment. It is from the innate quality of the Spirit in him, his inner storehouse, that he draws those ideas, his intuitions, which unify his perceptions of the external world instantaneously with a value which is qualitative and not quantitative, and which he embodies in the works of his culture - those achievements which belong not only to one particular time but to all times, and mark the path of his upward progress.
He knew the world and its absurdities as only an intelligent Irishman can; which is to say that where his knowledge or memory failed him, his imagination was always ready to fill the gap.
A performer may be taken in by his own act, convinced at the moment that the impression of reality which he fosters is the one and only reality. In such cases we have a sense in which the performer comes to be his own audience; he comes to be performer and observer of the same show. Presumably he introcepts or incorporates the standards he attempts to maintain in the presence of others so that even in their absence his conscience requires him to act in a socially proper way.
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