A Quote by Antonia Thomas

My father was a classical singer of baroque music, and my older sister was in musical theatre, and I thought about doing the same thing but then realised straight acting was for me.
I'm from a musical family. My father, Pashupati Bhattacharjee, was a great classical singer. My mother, sister, everybody was in music, and I grew up in music.
I came to musical theatre from straight acting, and a lot of my friends have a real prejudice about musical theatre - one I probably shared.
Both parents were very encouraging - especially my father. My father thought the sun rose and set with me. Neither one had a musical background or any musical talent. They liked classical music, but neither could carry a tune.
My father was able to play a number of musical instruments and I fell in love with classical music in my teens and I allowed it to influence me. I like to think I took and still do from classical music and various techniques, I have made classical albums and recorded seven different pieces of Bach on different albums and its all music too me.
I listen to music when I write. I need the musical background. Classical music. I'm behind the times. I'm still with Baroque music, Gregorian chant, the requiems, and with the quartets of Beethoven and Brahms. That is what I need for the climate, for the surroundings, for the landscape: the music.
Got a degree in acting and actually double majored in musical theatre. And then I came straight to New York and started working.
My mother enjoyed acting as well with my father, who used to direct her in plays at his regiment. My sister is an excellent singer. However, it was only me who decided to pursue acting as a career.
When my films didn't work, I wondered what was wrong in my acting graph, and then I realised the dedication I had for music, I didn't have the same for acting.
Opera is musical theatre, and the music can teach you so much about the theatre. Very often I use musical terms to think about how I comport myself on stage: I employ 'rubati,' 'ostinati,' 'cadenze.' Finding these parallels is very fascinating for me.
My dad is a singer, so it was always either music or acting with me. All the way up through college I was doing both, and even after college I was in a reggae band. Then the acting really started taking off, so the music had to become a hobby.
When I started doing advertisements, I really enjoyed the whole process of shooting, and I realised that I could do the little bit of acting required quite easily. My directors also told me that I have a flair for acting and that I should polish it and try for films. Then I thought I probably had it in me - why not give it a shot?
I was like, 'I'm only going to do musical theater for the rest of my life. I'm never going to do TV.' And whenever I'd get auditions for TV, I'd be like, 'Okay, whatever. I've got a lisp, so they're not going to take me.' And then I started doing this, and I guess it was my sister that got me into the acting thing.
I think the sense of performance and theatre was in my blood very early - but my father was more involved in music and light entertainment, whereas I wanted to do serious classical acting. I wanted to be Dame Carol Drinkwater.
The Sixties - I had to have my foot in everything then. I'm doing the same thing now but through an intermediary. You know. The food company. Maybe that's the way to go about it. You go right straight into the inferno, and when you get older, you pull back.
The funny thing is, because I was doing a lot of theater when I was a kid, and a lot of that was musical theater, as I got older I became more interested in acting as a separate entity and music as a separate entity, like songwriting and production and recording and playing music.
I didn't grow up with classical music. My father was a folk music singer.
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