A Quote by Antonin Artaud
I am stigmatized by a living death in which real death holds no terrors for me.
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Before me now there is only one real fact -- Death. The truth I have been seeking -- this truth is Death. Yet Death is also a seeker. Forever seeking me. So -- we have met at last. And I am prepared. I am at peace. Because I will conquer death with death.
There is an essential difference between the decease of the godly and the death of the ungodly. Death comes to the ungodly man as a penal infliction, but to the righteous as a summons to his Father's palace. To the sinner it is an execution, to the saint an undressing from his sins and infirmities. Death to the wicked is the King of terrors. Death to the saint is the end of terrors, the commencement of glory.
Not death itself, but only the moral preparation for it, holds terrors.
To take, for example, my own death: what I consider most likely to be true is that death will be the complete and utter end of my existence, with no successor existence of any kind that can be related to me as I now am. And if that is not the case, the next most likely scenario, it seems to me, is something along the lines indicated by Schopenhauer. But neither of these is what I most want. What I want to be true is that I have an individual, innermost self, a soul, which is the real me and which survives my death. That too could be true. But alas, I do not believe it.
Transhumanists are not fond of death. We would stop it if we could. To this end, we support research that holds out hope of a future in which humanity has defeated death.
I am convinced that the world-wide protests during the Rivonia trial saved Mandela and his fellow-accused from a death sentence. But in South Africa, a life sentence means imprisonment until death - or until the defeat of the government which holds these men prisoner.
Death is not earnest in the same way the eternal is. To the earnestness of death belongs precisely that remarkable capacity for awakening, that resonance of a profound mockery which, detached from the thought of the eternal, is an empty and often brash jest, but together with the thought of the eternal is just what it should be, utterly different from the insipid solemness which least of all captures and holds a thought with tension like that of death.
I don't necessarily view death as something negative. Death gives meaning to life. Living in fear of death is living in denial. Actually, it's not really living at all, because there is no life without death. It's two sides of the one. You can't pick up one side and say, I'm just going to use the 'heads' side. No. It doesn't work like that. You have to pick up both sides because nothing is promised to anyone in this world besides death.
Photography is linked with death in many different ways. The most immediate and explicit is the social practice of keeping photographs in memory of loved beings who are no longer alive. But there is another real death which each of us undergoes every day, as each day we draw nearer to our own death. Even when the person photographed is still living, that moment when she or he was has forever vanished.
Although the time of death is approaching me, I am not afraid of dying and going to Hell or (what would be considerably worse) going to the popularized version of Heaven. I expect death to be nothingness and, for removing me from all possible fears of death, I am thankful to atheism.
There is no single best kind of death. A good death is one that is "appropriate" for that person. It is a death in which the hand of the way of dying slips easily into the glove of the act itself. It is in character, ego-syntonic. It, the death, fits the person. It is a death that one might choose if it were realistically possible for one to choose one's own death.
He had no conscious knowledge of death, but like every animal of the Wild, he possessed the instinct of death. To him it stood as the greatest of hurts. It was the very essence of the unknown; it was the sum of the terrors of the unknown, the one culminating and unthinkable catastrophe that could happen to him, about which he knew nothing and about which he feared everything.
When one existentially awakens from within, the relation of birth-and-death is not seen as a sequential change from the former to the latter. Rather, living as it is, is no more than dying, and at the same time there is no living separate from dying. This means that life itself is death and death itself is life. That is, we do not shift sequentially from birth to death, but undergo living-dying in each and every moment.
I've always said that the artist dies twice. And the first death is the hardest which is the career death, the creative death. The physical death is an inevitability.
For any culture which is primarily concerned with meaning, the study of death - the only certainty that life holds for us - must be central, for an understanding of death is the key to liberation in life.
In the garden the door is always open into the "holy" - growth, birth, death. Every flower holds the whole mystery in its short cycle, and in the garden we are never far away from death, the fertilizing, good, creative death.
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