A Quote by Antonin Dvorak

Mozart is sweet sunshine. — © Antonin Dvorak
Mozart is sweet sunshine.
When I started, my teachers told me that I had to sing Mozart, Mozart, Mozart. I said, No, I want to sing all the other stuff. If you do not push yourself, you will stay the same. Maybe some singers are happy with that, but I have to move, I have to do something new always.
When I started, my teachers told me that I had to sing 'Mozart, Mozart, Mozart.' I said, 'No, I want to sing all the other stuff.' If you do not push yourself, you will stay the same. Maybe some singers are happy with that, but I have to move, I have to do something new always.
Sweet is the rose, but grows upon a brere; Sweet is the juniper, but sharp his bough; Sweet is the eglantine, but stiketh nere; Sweet is the firbloome, but its braunches rough; Sweet is the cypress, but its rynd is tough; Sweet is the nut, but bitter is his pill; Sweet is the broome-flowre, but yet sowre enough; And sweet is moly, but his root is ill.
I have been told that a young would-be composer wrote to Mozart asking advice about how to compose a symphony. Mozart responded that a symphony was a complex and demanding form and it would be better to start with something simpler. The young man protested, 'But, Herr Mozart, you wrote symphonies when you were younger than I am now.' Mozart replied, 'I never asked how.
Sunshine had never tasted so sweet as it did at that moment.
You are my sunshine my only sunshine. You make me happy when skies are grey. You'll never know dear how much I love you. Please don't take my sunshine away.
Eyes that displace the neighbor diamond, and outface that sunshine by their own sweet grace.
When I hear music I want to engage in it. Even if I engage in it very quickly and turn it off in my mind. If I'm in an elevator, clearly I don't want to be dealing with that, even if it's Mozart. In fact, especially if it's Mozart. I don't think Mozart belongs in an elevator.
The revolutionary Mozart is the Mozart of his last eight years.
If you've never heard a piece of Mozart, then Mozart could sound scary or confusing, so it's all about learning.
You can practice for 30 years and still not be a Mozart. The most lethal combination would be a Mozart who practiced for thousands of hours.
When Mozart is playing in my room, I am in conjunction with something I can't explain... I don't need to. I know that if there's a purpose for life, it was for me to hear Mozart.
The bright bite in Mary Lee Kortes' voice [has] the high-mountain sunshine of Dolly Parton, with a sweet-iron undercoat of Chrissie Hynde.
The sunshine dreaming upon Salmon's heightIs not so sweet and whiteAs the most heretofore sin-spotted SoulThat darts to its delightStraight from the absolution of a faithful fight.
I owe very, very much to Mozart; and if one studies, for instance, the way in which I write for string quartet, then one cannot deny that I have learned this directly from Mozart. And I am proud of it!
You don’t like Talon, do you? (Sunshine) Wish him dead every time I see him. (Zarek) I can’t tell if you mean that or not. (Sunshine) I mean it. (Zarek) Why? (Sunshine) He’s an asshole and I’ve had enough assholes in my life. (Zarek)
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