A Quote by Antonin Kratochvil

I was repelled by the sleazy reality of the totalitarian countries: politicians were shameless. There were corruption, pollution, shoddy goods, long lines, and suicide everywhere, but the leaders kept boasting about their great achievements and bright tomorrows. I saw all this and tried to show it in my pictures as simply and straightforwardly as I could. All I wanted to do was record how all these poor people adapted to lies and suffering, how they got used to it, how, in fact they were bound to miss it when it was over.
We were not given any statistics as to how many records were pressed on the blue label. I used to ask Bob Shad how we were going to get paid from record sales and what I got for an answer was not to worry about the business end of the deal.
You look back and see how hard you worked and how poor you were, and how desperately anxious you were to succeed, and all you can remember is how happy you were.
Sometimes we see the Civil War in movies and imagine these neatly aligned rows of men with muskets, walking in line to shoot each other. In reality the things that fascinated me were how absolutely ruthless and violent so many engagements were, how much suffering and how men were not prepared.
If this understanding of the good news of Jesus prevailed among Christians, the belief that Jesus’s message is about how to get somewhere else, you could possibly end up with a world in which millions of people were starving, thirsty, and poor; the earth was being exploited and polluted; disease and despair were everywhere; and Christians weren’t known for doing much about it. If it got bad enough, you might even have people rejecting Jesus because of how his followers lived. That would be tragic.
That's one of the reasons I wanted to be an actor, to be like them. And there they were at my table, all talking about how nervous they were, about the lines, and so forth. No matter how big you get, you still have the same kinds of anxieties and so forth.
When I was at university, the policemen used to measure how short the women's mini-skirts were and how long guys' hair was. We were living under a government that considers people to be soldiers.
We really wanted to know all the unknowable things about each other and how we were the same and how we were different, if we even were, maybe nobody is.
For 'Orphan Black,' all I got was the pilot script, and that was enough for me. I was daydreaming about this part. I kept thinking about how certain scenes were going to play out and how these interactions were going to take place.
When we were growing up and saw a Ray Harryhausen movie, we were interested in how it was done. But thank God we got to go through the magic of seeing it before we knew how it was done. You were able to get this beautiful, pure, visceral response to something without knowing too much about it.
I have some realistic humility which comes from my first career as a writer. I wrote for other people for ten years. I saw some incredible egos not based on any reality. They were great when they were on top and awful when they weren't. I learned a lot about how to treat people.
As kids we didn't complain about being poor; we talked about how rich we were going to be and made moves to get the lifestyle we aspired to by any means we could. And as soon as we had a little money, we were eager to show it.
Cinema has changed the world. If you go to the beginning of the cinema, you can see that the world started meeting other worlds. It was extraordinary. We saw how other people were living and thinking. How they were sad or happy. We also saw the body - naked or half-naked people, which was prohibited everywhere by religions. This was extremely important.
I kept listening, kept going to see people, kept sitting in with people, kept listening to records. If I wanted to learn somebody's stuff, like with Clapton, when I wanted to learn how he was getting some of his sounds - which were real neat - I learned how to make the sounds with my mouth and then copied that with my guitar.
Living a long life, the conventional wisdom at the time said, depended to a great extent on who we were-that is, our genes. It depended on the decisions we made-on what we chose to eat, and how much we chose to exercise, and how effectively we were treated by the medical system. No one was used to thinking about health in terms of community.
The Communist bloc of old was a study in the failure of failure. Losers in the Soviet economy were the people at the end of the long lines for consumer goods. Worse losers were the people who had spent hours getting to the head of the line, only to be told that the goods were unavailable.
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
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