A Quote by Antonio Banderas

Characters don't belong to anyone, not even the person who plays them. — © Antonio Banderas
Characters don't belong to anyone, not even the person who plays them.
She did not belong to Will-she was too much herself to belong to anyone, even Jem-but she belonged with them, and silently he cursed the Consul for not seeing it.
I do believe that characters in novels belong to their writers and their readers pretty equally. I've learned a lot of things about the characters I write from people who read about them. Readers expand them in ways I don't think of and take them to places I can't go.
It's funny," she said, with a strange hitch in her voice, "but I never wanted to be tied to anyone. Never wanted to be owned or to belong to another person. But now I realize that belonging with someone is completely different. I belong with you, Con." "And I with you." He kissed her, sealing them together with a bond she didn't mind, and one that would never be broken.
You are whole and also part of larger and larger circles of wholeness you many not even know about. You are never alone. And you already belong. You belong to humanity. You belong to life. You belong to this moment, this breath.
It really shaped me as a person going to DeMatha. Anyone that plays athletics or does music or does whatever, it teaches them to work to the best of their abilities.
Even when you think you can detach yourself from the characters, you don't. Because you're spending so much time trying to realize this person and make them real that they do infect you, in a way. And you do take them home and live with them, even if you think you're turning the character off. But in order to pull off a role convincingly, you wind up thinking about that person all the time, and it does sort of creep into you. And then there are things that you'll respond to, or react to in a very different way than you would normally.
I had played many gay characters before, but they were finite - guest characters in TV shows or characters in plays.
In Hollywood, the guy who plays Batman and Spiderman also plays normal characters. The biggest stars in the world want to play different characters. We can't give the excuse that because an actor played a superhero in his previous film, his next one won't work.
I always do a lot of work around characters to make them real people because, oftentimes, they really are a sliver of a person. Even with truly wonderful writers, women characters are there to emote, and they're often incredibly chaste or worthy. Or they're a 'different type of woman', which is the worst.
I don't write political plays in the sense that I'm writing essays that are kind of disguised as plays. I would really defy anyone to watch any of my plays and say 'Well, here's the point.'
I don't believe really good plays - interesting plays, complicated plays - can mean just one thing to every single person in the audience.
You cannot belong to anyone else, until you belong to yourself.
Being a person that plays all three formats, I've probably done the most bubble days out of anyone.
This is something particular to actors, especially in plays, and in films, too - but in plays, it's like, don't get involved with anyone in the play.
Anytime that anyone can create some explosive plays, get first downs, we're going to have more plays on offense.
You love all your characters, even the ridiculous ones. You have to on some level; they're your weird creations in some kind of way. I don't even know how you approach the process of conceiving the characters if in a sense you hated them. It's just absurd.
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