A Quote by Antonio Banderas

[Pablo] Picasso was born in my hometown, in Málaga, so I have this of strange connection with his persona and with what he did. He left Málaga, practically at the same time and age that I did.
Picasso is a character that has pursued me for a long time and I always rejected. He deserves a lot of respect because I am from Malaga, and I was born four blocks from where he was born.
The most beautiful moments of my career were under Manuel Pellegrini in Malaga, where we achieved big things and we made Malaga's name known around Europe.
I talked with Manuel Pellegrini before he left Malaga. I knew of his intention to take me with him to Manchester City. But I was unsure whether he would stick with the same keepers he had already.
A German officer visited Picasso in his Paris studio during the Second World War. There he saw Guernica and, shocked at the modernist «chaos» of the painting, asked Picasso: «Did you do this?» Picasso calmly replied: «No, you did this!»
[Pablo] Picasso really changed my life. It's strange to say so, but I started to see some Picasso paintings very early. I was very young, and he was not so much known.
In the Chauvet Cave, there is a painting of a bison embracing the lower part of a naked female body. Why does Pablo Picasso, who had no knowledge of the Chauvet Cave, use exactly the same motif in his series of drawings of the Minotaur and the woman? Very, very strange.
I flew to Malaga once and instead of going left to Marbella, turned right and went to Nerja. I wanted to get as far away from the British as possible, which is tough to do in Spain, but Nerja is slightly less infested and I loved the local culture there and the food.
It's true that at Malaga, I played every game as a starter, but here at Madrid, they give nothing away.
Our farm is a 15-minute walk to Pablo Picasso's last home. Alongside it stands the lovely Notre-Dame-de-Vie Chapel with its 13th-century bell tower, which was visible to Pablo from his atelier.
I carried on buying paintings, works of art, and Yves Saint Laurent, if I may say so, had a right of inspection. We even shared a common reading of the history of art. It would never have crossed Yves's mind to say to me, "Ah, I saw a Pablo Picasso . . ." He knew perfectly well what was interesting with Picasso, as did I.
Manuel Pellegrini had convinced me to go with him to Manchester City. I was doing very well at Malaga, but I accepted.
I discovered the same thing Gram Parsons did, that soul music and country music are practically identical. Based off of the same chord structures, and the songs are of heartache and loss. The main connection is they both came up in church.
We would get 20 different angles and then cut them all together. That's what I called it at the time - the 'cubistic' treatment of shooting football. It was the same thing Picasso did except we did it with a football play. It's taking a single image and looking at it from multiple perspectives.
A good president does with executive power what Pablo Picasso did with paint. He takes bills into new and slightly discomfiting territory. He puts extra eyes on policies. He moves the mouth of the Supreme Court from where it should be to where it must be.
I suppose that few people ever forget the first sight of a palm-tree of any species. I vividly remember seeing one for the first time at Malaga, but the coco-palm groves of the Pacific have a strangeness and witchery of their own.
My father was only born something like 30 years after the Civil War ended, 35 or 40. He was born closer to that than the era in which he died. He was born in 1891, no television, no phones, barely any electricity. He wrote a book to all of us that was really just a compilation of the letters that he had written over the years to my grandmother when they were courting, in the horse and buggy era. Everybody said, "When did you have time to do this?" Relating their own lives to his. He said, "What do you mean, when did I have time? This is all we did." There was no TV, none of that.
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