I learned a lot my rookie season - the pace of the game. Playing at the right pace, not 100 miles an hour.
Voice-over stuff is so much fun because you don't have hair and makeup and wardrobe. You get to show up. And there were some talented people, and we don't even know them. And they're so gifted. They can do all these accents and voices. It's really fun to do that stuff. It's really like actor camp.
We had a show called NXT, and Daniel Bryan was my rookie, and I was his pro. And the object was for the pros teach the rookies what it's like to be a WWE Superstar. As soon as that hit the Internet, the Internet thought it was absurd: 'How dare WWE put Daniel Bryan as Miz's rookie? Daniel Bryan should be the pro.'
Any chance a rookie gets to go play in the playoffs, that should be a boost going into summer league. That should be a boost for the rest of your career. That's something that a lot of rookies can't say they did.
I think the reason I was successful in my rookie season is because I was having a lot of fun.
When you train outside of camp, it's fun, I'm playing around, I'm working hard but I'm having fun. When I get into that camp it's 10 weeks of tunnel vision on that opponent, you're trying to work on your strengths and weaknesses, really trying to get better in different areas before the fight.
I see a lot of people judging me and my rookie season, but I'm not really worried about struggling. I know I'm only going to get better.
I hate to lose time on the set. On the set, you have to go at a good pace, because the clock is your master. For that reason, I have to know exactly what I'm trying to get beforehand.
If you get a chance to coach against one of your mentors, and a guy that taught you almost kind of the foundation of what you know about this game, I think it would be a fun, humbling opportunity.
You can very often start a new season with a lot more viewers than you had, leaving off the season before. It's a chance to pull the show into a train station, stop the train, and let all these new viewers on, so you can tell a new story. In some ways, a second season is a chance to tell a brand new story that you can wrap up, at the end of it.
We all laughed. It was more like that whole thing that I was talking about earlier. You go to training camp and after the season is over, you might not see the guys for six months until you go back to training camp.
I'd had the theater background for so long that I know that world inside out; I just didn't know the pace of how a TV set works, like how a show shoots.
If I had a million dollars, I just wouldn't just completely set back. I'd have to get out there and show my face to all these good people who like me, I have to get out there and show my face. The only thing that would set me back if I get sick or something or pass away, that's all you can do about that you know. But as long as I got my health goin' pretty good, I'll show up around here.
I'd like to do a full season of IndyCar if I was going to do it I think. But whether I'll get a chance to do that, I don't know.
When you audition for something, and you book it, you think, 'Okay, well, I got the job, and now I actually have to show up on set and do it.' So, you show up on set, and you don't know, 'Am I going to get swallowed up by these people?'
There was a moment, late into the season, where I was noticing I was darkening a little bit at night. I was like, 'It will be nice when the show is over for the season. I need a vacation.'