A Quote by Antonio Canova

So must the artist do in working at the nude. — © Antonio Canova
So must the artist do in working at the nude.

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I have read that the ancients, when they had produced a sound, used to modulate it, heightening and lowering its pitch without departing from the rules of harmony. So must the artist do in working at the nude.
You have to be luxurious nude. It's difficult to move in the nude in front of a mirror. It's much easier to move when you're dressed. But if you can walk around in the nude easily in front of your man, if you can be luxurious in the nude, then you've really got it.
I'm in between an installation artist, video artist and photographer. And when you work with nude bodies, you're immediately called a pornographer or a fashion photographer.
You know, it's just like being a peddler. You want two breasts? Well, here you are -- two breasts. We must see to it that the man looking at the picture has at hand everything he needs to paint a nude. If you really give him everything he needs -- and the best -- he'll put everything where it belongs, with his own eyes. Each person will make for himself the kind of nude he wants, with the nude that I will have made for him.
The spectacle of a judge pouring over the picture of some nude, trying to ascertain the extent to which she arouses prurient interests, and then attempting to write an opinion which explains the difference between that nude and some other nude has elements of low comedy.
When an artist or student draws a nude figure with painstaking care, the result is drawing, and not emotion.
I usually stick to the classic things that I know which is a nude lip and a nude eye.
I love to swim in the nude and roam around the house in the nude. You're just as free as a bird!
The critic, to interpret his artist, even to understand his artist, must be able to get into the mind of his artist; he must feel and comprehend the vast pressure of the creative passion.
I'd really want to - just from my own experience as an artist working with a writer, I'd want to do everything I could to tailor it to the artist I was working with.
Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one
Working as a model liberated me from ever having to hold a day job. I transitioned from doing that to working full-time as an artist. If you're 19 and living cheap, being an artist model can sustain you.
Every artist, every scientist, every writer must decide now where he stands. The artist must take sides. He must elect to fight for freedom or for slavery. I have made my choice. I had no alternative.
If you want to wear nude, go with suede or a beautiful leather, please, if I see one more nude patent stiletto on the carpet I feel like I'm going to kill somebody.
I have never discovered that the nude could be studied in any way except the way I have adopted. All the muscles must be pointed out. To do this all the drapery must be removed.
I like being outdoors. I like to go cavorting in the nude in the forests. It is just another world. To take sunbaths in the nude.
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