A Quote by Antonio Conte

You have to have respect on the pitch. — © Antonio Conte
You have to have respect on the pitch.

Quote Topics

I prefer to be a great team not only on paper but also on the pitch. The pitch is the truth. The pitch speaks.
I don't have to get a pitch down the middle. If I like the pitch-even if it's 15 inches off the plate, and that's the pitch I wanted-I'm swinging.
I don't have perfect pitch, but I have relative pitch. I'm glad I don't have perfect pitch because perfect pitch can drive you crazy.
You can be rivals out on the pitch, but respect is the most important thing.
The real Pogba is the one you see every time. You know, when I'm on the pitch, I cannot act. I'm not an actor. So when I'm in the pitch, I like to joke and laugh, and outside the pitch, I'm the same. For me, I'm normal. I come and play football. I do what I love.
The way I pitch is the way I pitch. I'm not going to change my overall philosophy. I'll just go out and pitch.
What I love about England is that the fans have great respect for the players on and off the pitch.
If the pitch starts with a sob story, I'm out. If the pitch talks about personal issues, I'm out. If the pitch starts off with how big the market opportunity is, I'm out. If the pitch tells me what is unique about the product, how it can make a profit, and it's an area where I have expertise, I will read on.
I used to go into rooms of older executives and try to pitch talk show ideas and when I was writing as a journalist I would pitch ideas for my articles and I definitely understand that excitement of a pitch and what that is to be young and a woman and trying to make your voice heard.
The feeling of pleasure and enjoyment from what we do is extremely important. It creates trust and respect when you walk into the dressing room or onto the pitch.
I have always tried to be myself on the pitch and probably my biggest pleasure is when fans of other teams come to show me their respect.
It's nice when you can have that battle on the pitch and then there's respect after the game because, ultimately, you are just trying to do your best.
The number of strokes to the inch controls the pitch of the note: the more, the higher the pitch; the fewer, the lower the pitch, the size of the stroke controls the loudness... the tone quality is the most difficult element to control, it is made by the shape of the strokes.
I know what is important. When I go to the pitch, I cannot laugh; I respect the other players. I try my best and put my passion inside the game.
Obviously there are a lot of expectations when you come to a club for a record fee but you can't change that. You just need to perform and show it on the pitch and gain respect through that.
I would not want you to suppose that my rejection of Allen Forte's theory of pitch-class sets implies a rejection of the notion that there can be such a thing as a pitch-class set. It is only when one defines everything in terms of pitch-class sets that the concept becomes meaningless.
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