A Quote by Antonio Cromartie
We used a racquetball and threw it off the wall as hard as we could, then tracked it down with our eyes and feet. Nike has new balls that bounce all sorts of different directions and really help you learn to track the ball and move your feet to react quickly.
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I play a lot of basketball and racquetball, as they're both great for your feet and hand eye coordination. Other drills can help as well, such as simply catching a football in distant positions from different heights and velocities.
The calluses on your feet in space will eventually fall off. So, the bottoms of your feet become very soft like newborn baby feet. But the top of my feet develop rough alligator skin because I use the top of my feet to get around here on space station when using foot rails.
When the effort is in question, the ball goes in different directions and the ball doesn't always bounce your way. When you're playing in the home of the NBA champions, it isn't going to be easy.
It's been said that as we move through life, we have to juggle a number of different balls. Some balls, like the one that represents career, are made of rubber. If we drop them, they have the ability to bounce back. But some balls are made of glass - family is like that. If you drop that ball, it doesn't come back.
It's hard to tell / if we close our eyes or if night / opens in us other starred eyes, / if it burrows into the wall of our dream / till some other door opens. / But the dream is only the flitting costume of one moment, / is spent in one beat / of the darkness, / and falls at our feet, cast off / as the day stirs and sails away with us.
I consciously memorized the speed at which every pitcher in the league threw his fastball, curve, and slider. Then, I'd pick up the speed of the ball in the first 30 feet of its flight and knew how it would move once it has crossed the plate.
We've changed a lot of things to help certain groups of people. We widened the lane from 6 feet to 12 feet to 16 feet to make it so the big guys aren't as dominant. Well, why didn't we just say, 'You've got to learn to play against them in the post?'
I consciously memorized the speed at which every pitcher in the league threw his fastball, curve, and slider; then, I'd pick up the speed of the ball in the first thirty feet of its flight and knew how it would move once it had crossed the plate.
I compliment Kramer perfectly. We both put in a lot of legwork, win many balls, and we're comfortable with the ball at our feet. We also talk a lot both off and on the pitch.
I don't like showing the technique. I don't like people who say, "Here, I'm going to act, but first I have to bounce off this wall." If you have to bounce off the wall, do it by yourself. Don't feature the technique. My old drama coach used to say, "Don't just do something, stand there." Gary Cooper wasn't afraid to do nothing.
The amazing thing about the cistern is that, if you're improvising in a dead room, you play your note and then you're left with your thoughts and you have to be really quick on your feet and be able to move through many different musical thoughts seamlessly. Improvising there is just, like, you play a note and then you had at least ten seconds to think, "What would be the perfect accompanying note to that?" And then you could add that note. You can just build this puzzle that was really amazing.
I think we were born 6 feet tall and then started to grow from there. My dad's not particularly tall - only 5 feet, 11 inches - but his mother was almost 6 feet and straight as a ramrod: a German woman who used to scare the hell out of me.
Kicking leaves you momentarily on one foot, and for that moment you are in a very weak position. If you were to be swept off your feet, you would be finished. This is why lifting your feet off the ground is crazy.
Did you hear about this genius that got on a plane and set fire to his feet? Turns out he had bombs in his shoes and the problem all started when the flight attendants asked him nicely to extinguish his feet. He was wearing exploding sneakers. The new Nike Air-Jihads!
Maybe tomorrow is counting on me
To learn my lessons today
I'll start by taking a step at a time
And stop throwing my blessings away
I'll get myself up and I'll brush myself off
And take back some of the pride that I've lost
'Cause you can't always keep your feet on the ground
I guess we all learn the hard way and we all fall down
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
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